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" "Even today, I sometimes get really quite painfully homesick for Norwood. A sour smell that reminds me of the tanneries will bring it on, such as the smell from a basement down in the Italian part of the Village where some old Italian is making wine. That's one of the damnedest things I ever found out about human emotions and how treacherous they can be — the fact that you can hate a place with all your heart and soul and still be homesick for it. Not to speak of the fact that you can hate a person with all your heart and soul and still long for that person.
Joseph Quincy Mitchell (July 27, 1908 – May 24, 1996) was an American writer best known for his works of creative nonfiction he published in The New Yorker. His work primarily consists of character studies, where he used detailed portraits of people and events to highlight the commonplace of the world, especially in and around New York City.
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I've made quite a study of fish cooks," Mr. Flood says, "and I've decided that old Italians are best. Then comes old colored men, then old mean Yankees, and then old drunk Irishmen. They have to be old; it takes almost a lifetime to learn how to do a thing simply. Even the stove has to be old. If the cook is an awful drunk, so much the better. I don't think a teetotaler could cook a fish. If he was a mean teetotaler, he might.
I was sneezing my head off, my eyes were sore, my knees were shaky, I was hungry as a bitch wolf, and I had exactly eight cents to my name. I didn't care. My history was longer by eleven thousand brand-new words, and at that moment I bet there wasn't a chairman of the board in all New York as happy as I.
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It is perhaps an ugly comment on the American press, but the function of the interviewer on most newspapers is to entertain, not to shed light. ... An interviewer soon begins to judge public figures on the basis of their entertainment value, overlooking their true importance. It is not easy to get an interview with Professor Franz Boas, the greatest anthropologist in the world, across a city desk, but a mild interview with Oom the Omnipotent will hit the bottom of page one under a two-column head. ... It is safe to write accurately only about the nuts and the bums. When a public figure does something ridiculous reporters may then write about him accurately.