I grew up as a third-generation atheist-socialist Jew. My religious training consisted of being told that religion was the opiate of the masses. - Alicia Ostriker

To tell all the truth and tell it straight has become the program of most women poets. The truth is mysterious enough, and we are ignorant enough of it, so that lives may be well spent in its quest.

It is self-evident to me that a literary history which selects only a few writers to represent a period is as partial as the old sort of history of nations which chronicled only kings and battles and not the lives of the people ruled and fought over-whose movements are in some ways the true movements of history.

For me the idea of an "Écriture feminine" is nonsense. It's true that the various discourses of high culture have indeed more or less thoroughly excluded female participation, for at least two thousand years. But I think it is completely absurd to reduce language-human language, which is like God, with its center everywhere and its circumference nowhere to the tiny orderly emissions of academic men. Nonsense! Language is generated everywhere. In the kitchen, the butcher shop, the factory, the prison, it sprouts and flourishes. Language is our birthright: we find the loopholes in authoritative systems, we twist the lion's tail, we drill down to the water table, we steal and mask, we transform and morph the tradition. Every creative person does that. Women as a class do it too. Yes, of course, every marginalized group comes up against an "oppressor's language." The language of authority, whose main message for us is "thou shalt not." We need to recognize that. But we also need to see how full of complication language is, how full of potential for us. Language is not a brick wall. It's a swamp of unpredictable new growths, it's a stew, it's an ocean.