Bacteria represent the world's greatest success story. They are today and have always been the modal organisms on earth; they cannot be nuked to obli… - Stephen Jay Gould

Iconography becomes even more revealing when processes or concepts, rather than objects, must be depicted—for the constraint of a definite “thing” cedes directly to the imagination. How can we draw “evolution” or “social organization,” not to mention the more mundane “digestion” or “self-interest,” without portraying more of a mental structure than a physical reality? If we wish to trace the history of ideas, iconography becomes a candid camera trained upon the scholar's mind.

Science and religion stand watch over different aspects of all our major flashpoints. May they do so in peace and reinforcement — and not like the men who served as a cannon fodder in World War I, dug into the trenches of a senseless and apparently interminable conflict, while lobbing bullets and canisters of poison gas at a supposed enemy, who, like any soldier, just wanted to get off the battlefield and on with a potentially productive and rewarding life.

There is no gene “for” such unambiguous bits of morphology as your left kneecap or your fingernail. […] Hundreds of genes contribute to the building of most body parts and their action is channeled through a kaleidoscopic series of environmental influences: embryonic and postnatal, internal and external. Parts are not translated genes, and selection doesn't even work directly on parts.