[A]nger in its pure state is the measure of the way we are implicated in the world and made vulnerable through love in all its specifics: a daughter,… - David Whyte

PILGRIM

I bow to the lark
and its tiny
lifted silhouette
fluttering
before infinity.
I promise myself
to the mountain
and to the foundation
from which
my future comes.
I make my vow
to the stream
flowing beneath,
and to the water
falling
towards all thirst,
and
I pledge myself
to the sea
to which it goes
and to the mercy
of my disappearance,
and though I may be
left alone
or abandoned by
the unyielding present
or orphaned in some far
unspoken place,
I will speak
with a voice
of loyalty
and faith
to the far shore
where everything
turns to arrival,
if only in the sound
of falling waves
and I will listen
with sincere
and attentive eyes and ears
for a final invitation,
so that I can
be that note half-heard
in the flying lark song,
or that tint
on a far mountain
brushed with the subtle
grey of dawn,
even a river gone by
still looking
as if it hasn’t,
or an ocean heard only
as the sound of waves
falling and falling,
and falling,
my eyes closing
with them
into some
undeserved nothing
even as they
give up their
strength
on the sand.

There is no possibility of pursuing a work without coming to terms with all the ways it is impossible to do it. Feeling far away from what we want tells us one of two things about our work: that we are at the beginning or that we have

we have so many allies in this world, including just the color blue in the sky,