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"They lead "still" lives, waiting. - Myrna Landers
Waiting for what? - Armand Gamache
Waiting for someone to save them. Expecting someone to save them or at least protect them from the big, bad world. The thing is no one else can save them because the problem is theirs and so is the solution. - Myrna"
Louise Penny (1 July 1958), is a Canadian crime-fiction author, best known for her Chief Inspector Armand Gamache series set in Quebec. Her novels have been translated into over 23 languages, sold millions of copies worldwide, and repeatedly reached number 1 on the New York Times Best Seller list. She has also earned prestigious awards including multiple Agatha and Anthony Awards, and was appointed a Member of the Order of Canada and an Officer of the National Order of Quebec in 2017.
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I’m afraid it won’t stop, and all my bones will disappear and one day I’ll just dissolve. I won’t be able to stand up anymore, or move.” She looked into Clara’s eyes. Clung to Clara’s eyes. “Mostly I’m afraid that it won’t matter. Because I have nowhere to go, and nothing to do. No need of bones.” And Clara knew then that as great as her own grief was, nothing could compare to this hollow woman and her hollow home. There wasn’t just a wound where Laurent had once been. This was a vacuum, into which everything tumbled. A great gaping black hole that sucked all the light, all the matter, all that mattered, into it. Clara, who knew grief, was suddenly frightened herself. By the magnitude of this woman’s loss.
It was a careworn face. But most of the lines, if followed back like a trail, would lead to happiness. To the faces a face made when laughing or smiling, or sitting quietly enjoying the day.
Though some of those lines led elsewhere. Into a wilderness, into the wild. Where terrible things had happened. Some of the lines of his face led to events inhuman and abominable. To horrific sights. To unspeakable acts.
Some of them his.
The lines of his face were the longitude and latitude of his life.
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Gamache knew people were like homes. Some were cheerful and bright, some gloomy. Some could look good on the outside but feel wretched on the interior. And some of the least attractive homes, from the outside, were kindly and warm inside.
He also knew the first few rooms were for public consumption. It was only in going deeper that he'd find the reality. And finally, inevitably, there was the last room, the one we keep locked, and bolted and barred, even from ourselves. Especially from ourselves.