If upon a white canvas I jot down some sensations of blue, of green, of red – every new brush stroke diminishes the importance of the preceding ones.… - Henri Matisse

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If upon a white canvas I jot down some sensations of blue, of green, of red – every new brush stroke diminishes the importance of the preceding ones. Suppose I set out to paint an interior.. .If I paint a green near the red, if I paint in a yellow floor, there must still be between this green, this yellow, and the white of the canvas a relation that will be satisfactory to me. But these several tones mutually weaken one another. It is necessary, therefore, that the various elements that I use be so balanced that they do not destroy one another..

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About Henri Matisse

Henri Émile Benoît Matisse (31 December 1869 – 3 November 1954) was a French artist. Particularly known for his striking use of colour, Matisse is one of the very few indisputable giants of modern art, alongside Pablo Picasso and Wassily Kandinsky.

Biography information from Wikiquote

Also Known As

Alternative Names: Henri-Émile-Benoît Matisse Henri Emile Benoît Matisse Henri Emile Benoit Matisse Henri-Emile-Benoît Matisse Henri-Emile-Benoit Matisse H. Matisse matisse h. h. matisse matisse henri Henri-Matisse Matisse Anri Matiss
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Additional quotes by Henri Matisse

"I do not literally paint that table, but the emotion it produces upon me." After a pause full of intense thought on my part, I asked: "But if one hasn't always emotion. What then?" "Do not paint," he quickly answered. "When I came in here to work this morning I had no emotion, so I took a horseback ride. When I returned I felt like painting, and had all the emotion I wanted.

My choice of colors does not rest on any scientific theory; it is based on observation, on feeling, on the very nature of each experience. I.. ..merely try to find a color that will fit my sensation. There is an impelling proportion of tones that can induce me to change the shape of a figure or to transform my composition. Until I have achieved this proportion in all the parts of the composition I strive towards it and keep on working. Then a moment comes when every part has found its definite relationship, and from then on it would be impossible for me to add a stroke to my picture without having to paint it all over again.

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