The man who dares to live his life with death before his eyes, the man who receives life back bit by bit and lives as though it did not belong to him… - Albert Schweitzer
" "The man who dares to live his life with death before his eyes, the man who receives life back bit by bit and lives as though it did not belong to him by right but has been bestowed on him as a gift, the man who has such freedom and peace of mind that he has overcome death in his thoughts — such man believes in eternal life because it is already his, it is a present experience, and he already benefits from its peace and joy. He cannot describe this experience in words. He may not be able to conform his view with the traditional picture of it. But one thing he knows for certain: Something within us does not pass away, something goes on living and working wherever the kingdom of the spirit is present. It is already working and living within us, because in our hearts we have been able to reach life by overcoming death.
About Albert Schweitzer
Albert Schweitzer (14 January 1875 – 4 September 1965) was an Alsatian philosopher, philanthropist, physician, theologian, missionary, and musicologist who received the Nobel Peace Prize in 1952.
Biography information from Wikiquote
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Additional quotes by Albert Schweitzer
As a contrast to the Bach of pure music I present the Bach who is a poet and painter in sound. In his music and in his texts he expresses the emotional as well as the descriptive with great vitality and clarity. Before all else he aims at rendering the pictorial in lines of sound. He is even more tone painter than tone poet. His art is nearer to that of Berlioz than to that of Wagner. If the text speaks of drifting mists, of boisterous winds, of roaring rivers, of waves that ebb and flow, of leaves falling from the tree, of bells that toll for the dying, of the confident faith that walks with firm steps or the weak faith that falters, of the proud who will be debased and the humble who will be exalted, of Satan rising in rebellion, of angels on the clouds of heaven, then one sees and hears all this in his music. Bach has, in fact, his own language of sound. There are in his music constantly recurring rhythmical motives expressing peaceful bliss, lively joy, intense pain, or sorrow sublimely borne. The impulse to express poetic and pictorial concepts is the essence of music. It addresses itself to the listener's creative imagination and seeks to kindle in him the feelings and visions with which the music was composed. But this it can do only if the person who uses the language of sound possesses the mysterious faculty of rendering thoughts with a superior clarity and precision. In this respect Bach is the greatest of the great.