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" "It's an old story, perhaps the oldest on earth," Joan said. "The sky rumbles, the clouds congeal, the sun spasms. Is that a saint I see on high? An angel? The Lord God Jehovah himself? Now a holy voice booms down, instructing the poor prophet to grab a sword and thrust it into a fellow human, or perhaps a hundred fellow humans, or even a million if the cause is sufficiently sacred. The prophet never talks back. The tradition existed before me. It flourishes to this day. The sword, the blood, the freshly created corpses littering the battlefield, exuding the stink of epiphany.
James K. Morrow (born March 17, 1947) is an American novelist and short story writer.
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Asia gave us dowry deaths and the caste system. Africa elevated famine to an art form. North America cultivated chattel slavery for far longer than I would have dared hope; South America has done things with political oppression that I am obliged to call brilliant; Australia showed the world that the only good aborigine is a dead aborigine; and Antarctica has fabulous weather. Of all the continents that constitute Earth’s terrain, however, Europe remains dearest to my heart and closest to my soul.
I allude here not to the sweatshops, the world wars, or totalitarian socialism (though none of these innovations has escaped my notice) but to the fact that the European imagination endowed me with a degree of glamour—you might even say charm—that in pre-coma times enabled me to function with extraordinary effectiveness. The concept of an Evil One is intrinsic to Islam, of course; the ancient Hebrews had their “adversary,” their satan; the Egyptians feared a dark deity called Set; Zoroastrians believed in Ahriman, essence of destruction (forever warring with Ohrmazd, source of all things bright and beautiful). But only in Christian Europe did the Prince of Hell acquire a personality as vivid and endearing as any you will meet in a Dickens novel.