It was ridiculous—he was soaking. I had to get a towel and offer him clothes that he wouldn’t take. I knew immediately that I’d like him; he just had… - Russell Brand

I could see the room dividing as I spoke. I could hear the laughter of some and louder still silence of others. I realised that for some people this was regarded as an event with import. The magazine, the sponsors and some of those in attendance saw it as a kind of ceremony that warranted respect. In effect, it is a corporate ritual, an alliance between a media organisation, GQ, and a commercial entity, Hugo Boss. What dawned on me as the night went on is that even in apparently frivolous conditions the establishment asserts control, and won't tolerate having that assertion challenged, even flippantly, by that most beautifully adept tool: comedy.

There's no shame in being second to Stephen Fry. Unless it's in a straight nose competition.

I wind up chatting to Melanie Phillips. Melanie is a columnist for the Daily Mail and is mostly known for her knee-jerk, right-wing, hang-em-high vitriol. In person, inconveniently, she is beautiful. Deep brown, soulful eyes, elegant features and a truthful, caring sincerity in her tone. It is surprising and bizarre, then, to see her contort on air into a taut, jabbing Gollum figure, untutored index finger fucking the audience in the face when they pipe up about Syria or whatever. Oddly, I still like her, regarding her opinions as an arbitrary appurtenance that she pops on in public, like a daft hat that says "Immigrants Out" on the brim. When the audience – who, incidentally, make all the best points – boo her, I think it a shame. The wall of condemnation is an audible confirmation that the world is a fearful and unloving place. Like most of us, Melanie just needs a cuddle.