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The most dangerous lovers women have are men of Cordis's feminine temperament. Such men, by the delicacy and sensitiveness of their own organizations, read women as easily and accurately as women read each other. They are alert to detect and interpret those smallest trifles in tone, expression, and bearing, which betray the real mood far more unmistakably than more obvious signs.
"One of the most dangerous classes in the world," said he, "is the drifting and friendless woman. She is the most harmless and often the most useful of mortals, but she is the inevitable inciter of crime in others. She is helpless. She is migratory. She has sufficient means to take her from country to country and from hotel to hotel. She is lost, as often as not, in a maze of obscure pensions and boardinghouses. She is a stray chicken in a world of foxes. When she is gobbled up she is hardly missed."
The woman who presents herself to the spectator as a 'picture' forever arranged, is, for the contemplative mind, the chiefest danger. Sometimes one meets a woman who is beast turning human. Such a person's every movement will reduce to an image of a forgotten experience; a mirage of an eternal wedding cast on the racial memory; as insupportable a joy as would be the vision of an eland coming down an aisle of trees, chapleted with orange blossoms and bridal veil, a hoof raised in the economy of fear,stepping in the trepidation of flesh that will become myth; as the unicorn is neither man nor beast deprived, but human hunger pressing its breast to its prey.
Such a woman is the infected carrier of the past; before her the structure of our head and jaws ache — we feel that we could eat her, she who is eaten death returning, for only then do we put our face close to the blood on the lips of our forefathers.
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