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What particularly attracted me [in his painting 'Still-life with Musical instruments', 1908 – 1909].. ..was the materialization of this new space tha… - Georges Braque
" "What particularly attracted me [in his painting 'Still-life with Musical instruments', 1908 – 1909].. ..was the materialization of this new space that I felt to be in the offing. So I began to concentrate on still-life's, because in the still-life you have a tactile, I might almost say a manual space.. .This answered to the hankering I have always had to touch things and not merely see them. It was this space that particularly attracted me, for this was the first concern of Cubism, the investigation of space.. ..In tactile space you measure the distance separating you from the object, whereas in visual space you measure the distance separating things from each other. This is what led me, long ago, from landscape to still-life.
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About Georges Braque
Georges Braque (13 May 1882 – 31 August 1963) was a French painter and sculptor. He was one of the French Fauve painters, circa 1906. From 1908 he initiated, in close cooperation with Pablo Picasso, the first step of Cubism.
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Alternative Names:
George Braque
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G. Braque
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S Braque
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geo. braque
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george braque
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Braque
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geo braque
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George B.
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Giorgio Braque
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Additional quotes by Georges Braque
I considered that the painter's personality should be kept out of things, and therefore pictures should be anonymous. It was I who decided that pictures should not be signed, and for a time Picasso did the same. I thought that from the moment someone else could do the same as myself, there was no difference between the pictures and they should not be signed. Afterwards I realized it was not so and began to sign my pictures again. Picasso had begun again anyhow. I realized that one cannot reveal oneself without mannerism, without some evident trace of one's personality. But all the same one should not go too far in that direction..
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What greatly attracted me – and it was the main line of advance of Cubism – was how to give material expression to this new space of which I had an inkling. So I began to paint chiefly still life's, because in nature there is a tactile, I would almost say a manual space. I wrote about this moreover 'When a still-life is no longer within reach, it ceases to be a still-life...'. For me that expressed the desire I have always had to touch a thing, not just to look at it. It was that space that attracted me strongly, for that was the earliest Cubist painting – the quest for space.
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