The scene illustrates but the idea, not any actual action, in a hymen (out of which flows Dream), tainted with vice [vicieux] yet sacred, between des… - Stéphane Mallarmé

It seems to me that there should be only allusions. The contemplation of objects, the volatile image of the dreams they evoke, these make the song: the Parnassians [the classicist movement of Leconte de Lisle, Heredia, etc.] who make a complete demonstration of the object thereby lack mystery; they deprive the [reader's] mind of that delicious joy of imagining that it creates. To name the thing means forsaking three quarters of a poem's enjoyment-which is derived from unraveling it gradually, by happy guesswork: to suggest the thing creates the dream. Symbols are formed when this secret is used to perfection: to evoke little by little, the image of an object in order to demonstrate a mood; or, conversely, to choose an object and to extract from it a mood, by a series of decipherings.)

Poetry is the language of a state of crisis.

Hyperbole! can you not rise In triumph from my memory, A modern magic spell devise As from an ironbound grammary: For I inaugurate through science The hymn of all hearts spiritual In the labor of my patience, Atlas, herbal, ritual.