O, Koh, the limerick is the unrefiner's fire. It is as false and lifeless, as anonymous, as a rubber snake, a Dixie cup. It is indeed the dildo of de… - William H. Gass

So she drank to the point of suicide, because a life which not only lacked love, but couldn't even catch a little indifference, like a net to contain air, was intolerable; because she hadn't a single god, or goddamn thing to do, or anything she could look back on as done—completed or accomplished—only one pleasureless screw which produced an ingrate and a monster upon whom she nevertheless pinned her hopes with exactly the same chance for success as anyone would who tried to drive a nail into a passing cloud—a son to whom she threw her soul at considerable peril, like a stone in a paper boat.

Great undulating banners red as blood. And the brass bands. And the manly thud of uniformly set-down boots. And the rage inside the happy shouts. A hundred thousand spleens have found a mouth. Curtains of sperm are flung up the side of the sky. Hell has fertilized heaven. And now the hero comes—the trumpet of his people. And his voice is enlarged like a movie's lion. He roars, he screams so well for everyone, his tantrums tame a people. He is the Son of God, if God is Resentment. And God is Resentment—a pharaoh for the disappointed people.

The devil does not sign contracts with just anyone. Upon the tens of millions, no judgment is pronounced. For them there is death, of course, but no doom. The trouble with history is its incorrigible and horrifying honesty. Only the truly doomed matter a damn to it. History is the abyss of the doomed.