"The edge of evening … the long curve of people all wishing on the first star.... Always remember those men and women along the thousands of miles of… - Thomas Pynchon

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"The edge of evening … the long curve of people all wishing on the first star.... Always remember those men and women along the thousands of miles of land and sea. The true moment of shadow is the moment in which you see the point of light in the sky. The single point, and the Shadow that has just gathered you in its sweep ..." Always remember. The first star hangs between his feet. Now —

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About Thomas Pynchon

Thomas Ruggles Pynchon, Jr. (born 8 May 1937) is an American writer based in New York City, known for his dense and complex works of fiction.

Biography information from Wikiquote · Portrait adapted from Wikimedia Commons, Photo presumably taken by "Mr. DiLillo", who was identified as staff photographer of The Oysterette (Mead 1989, p. 170). (Public domain / CC0)

Also Known As

Alternative Names: Thomas Ruggles Pynchon, Jr. Thomas Ruggles Pynchon

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Additional quotes by Thomas Pynchon

Who has sent this new serpent into our ruinous garden, already too fouled, too crowded to qualify as any locus of innocence — unless innocence be our age's neutral, our silent passing into the machineries of indifference — something that Kekulé's Serpent had come to — not to destroy, but to define to us the loss of... we had been given certain molecules, certain combinations and not others... we used what we found in Nature, unquestioning, shamefully perhaps — but the Serpent whispered, 'They can be changed, and new molecules assembled from the debris of the given.... ' Can anyone tell me what else he whispered to us? Come — who knows?

You don’t understand,” getting mad. “You guys, you’re like Puritans are about the Bible. So hung up with words, words. You know where that play exists, not in that file cabinet, not in any paperback you’re looking for, but — ” a hand emerged from the veil of shower-steam to indicate his suspended head — “in here. That’s what I’m for. To give the spirit flesh. The words, who cares? They’re rote noises to hold line bashes with, to get past the bone barrier around an actor’s memory, right? But the reality is in this head. Mine. I’m the projector at the planetarium, all the closed little universe visible in the circle of that stage is coming out of my mouth, eyes, sometimes other orifices also.

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