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I... praise the newly opened halls of fossil mammals at the . ...teaching us about evolutionary trees by organizing the entire hall as a central trun… - Stephen Jay Gould
" "I... praise the newly opened halls of fossil mammals at the . ...teaching us about evolutionary trees by organizing the entire hall as a central trunk and set of branches... placing our brains in our feet and letting us learn by walking. ...the chosen geometry of evolutionary organization... violates the traditional picture of life's history, thus illustrating... an important principle in the history of science: the central role of pictures, graphs, and other forms of visual representation in channeling and constraining our thought. ...Words are an evolutionary afterthought. ...My colleagues have actually done it. ...They have ordered all the fossils into an unconventional iconographic tree that fractures the bias of progress. ...so that we can preambulate along the tree of life and absorb the new scheme viscerally by walking... They have taken Colbert's radical idea and arranged all the fossils by their branching order, not their later "success" or "advancement." Groups that branch early appear early in the hall... Sea cows and elephants are at the end of the hall, horses in the middle, and primates near the beginning.
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About Stephen Jay Gould
Stephen Jay Gould (September 10, 1941 – May 20, 2002) was an American geologist, paleontologist, evolutionary biologist and popular-science author, who spent most of his career teaching at Harvard University and working at the American Museum of Natural History in New York. He was one of the most influential and widely read writers of popular science of his generation.
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Additional quotes by Stephen Jay Gould
Iconography becomes even more revealing when processes or concepts, rather than objects, must be depicted—for the constraint of a definite “thing” cedes directly to the imagination. How can we draw “evolution” or “social organization,” not to mention the more mundane “digestion” or “self-interest,” without portraying more of a mental structure than a physical reality? If we wish to trace the history of ideas, iconography becomes a candid camera trained upon the scholar's mind.
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