Unlimited Quote Collections
Organize your favorite quotes without limits. Create themed collections for every occasion with Premium.
This long preamble just to tell you not to judge your own work as you are the last person to see it (with true eyes) – What you see neither redeems n… - Marcel Duchamp
" "This long preamble just to tell you not to judge your own work as you are the last person to see it (with true eyes) – What you see neither redeems nor condemns it – All words used to explain or praise it are false translations of what is going on beyond sensations.
You are, as we all are, obsessed by the accumulation of principles or anti-principles which generally cloud your mind with their terminology and, without knowing it, you are a prisoner of what you think is a liberated education –
In your particular case, you are certainly the victim of the 'Ecole de Paris' [French abstract art movement which developed after world War 2.], a joke that’s lasted for 60 years.
English
Collect this quote
About Marcel Duchamp
Henri-Robert-Marcel Duchamp (July 28, 1887 – October 2, 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art. Duchamp is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture. He was the first artist creating 'ready-made' in modern art.
Biography information from Wikiquote
Also Known As
Alternative Names:
Henri Robert Marcel Duchamp
•
Rrose Sélavy
•
R. Mutt
•
Rose Sélavy
•
Marcel Duchamp-Villon
•
Marsel Dushan
•
Duxiang
•
Henri-Robert-Marcel Duchamp
•
Marcel Duchamp- Villon
•
Rrose Selavy
•
Rose Selavy
Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.
Additional quotes by Marcel Duchamp
I want to clarify our understanding of the word 'art' – to be sure, without an attempt to a definition. What I have in mind is that art may be bad, good or indifferent, but, whatever adjective is used, we must call it art, and bad art is still art in the same way as a bad emotion is still an emotion.
Therefore, when I refer to 'art coefficient', it will be understood that I refer not only to great art, but I am trying to describe the subjective mechanism which produces art in a raw state – 'à l'état brute' – bad, good or indifferent.
Loading...