It means that at certain epochs man has felt conscious of something about himself – body and spirit – which was outside the day-to-day struggle for e… - Kenneth Clark

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It means that at certain epochs man has felt conscious of something about himself – body and spirit – which was outside the day-to-day struggle for existence and the night-to-night struggle with fear; and he has felt the need to develop these qualities of thought and feeling so that they might approach as nearly as possible to an ideal of perfection – reason, justice, physical beauty, all of them in equilibrium. He has managed to satisfy this need in various ways – through myths, through dance and song, through systems of philosophy and through the order that he has imposed on the visible world. The children of his imagination are also the expressions of an ideal.

English
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About Kenneth Clark

Kenneth McKenzie Clark, Baron Clark of Saltwood, OM, CH, KCB, FBA (13 July 1903 – 21 May 1983) was an English art historian and director of London's National Gallery (1934–1945) who is remembered for his television series Civilisation first broadcast in 1969.

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Also Known As

Alternative Names: Baron Clark Kenneth Clark Lord Clark of Saltwood Kenneth MacKenzie, Lord Clark of Saltwood Clark Kenneth, Lord Clark of Saltwood Clark
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Additional quotes by Kenneth Clark

Bright-minded young people think poorly of existing institutions and want to abolish them. Well, one doesn't need to be young to dislike institutions. But the dreary fact remains that, even in the darkest ages, it was institutions that made society work, and if civilisation is to survive society must somehow be made to work. At this point I reveal myself in my true colours, as a stick-in-the-mud. I hold a number of beliefs that have been repudiated by the liveliest intellects of our time. I believe that order is better than chaos, creation better than destruction. I prefer gentleness to violence, forgiveness to vendetta. I believe that in spite of the recent triumphs of science, men haven't changed much in the last two thousand years; and in consequence we must still try to learn from history. History is ourselves.

For the student of visionary art the interesting fact is that an image comes first and takes up residence in the mind long before the artist has any notion why it is there or what it means. Whether visions come from some great reservoir of symbolic images which are eternally there (and if one examines the recurrence of images in history this proposition is not quite as crazy as it sounds) or whether they are due to buried memories, their obsessive power over an artist's mind, and their clear, compulsive emergence in his work depends on a mental condition that can come and go. When, for some reason, they no longer present themselves to the mind's eye, alive or clamoring to be born, the visionary artist has a hard time — dark days. This is particularly true if he has lost the habit of feeding his mind on the observation of nature.

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