Certainly, Vollard, but listen: will you have a special dish without butter prepared for me? Mind you, no flowers on the table, and you must have din… - Edgar Degas

I really have some luggage in my head. If only there were insurance companies for that as there are for so many things here, there's a bale I should insure at once.

ladies in muslin draped on porches at the fronts of their little houses.. ..shops bursting with fruit, and the contrast between the lively hum and the bustle of the offices with the immense black animal force.. .The black world I have not the time to explore; there are some real gifts of colour and drawing in these forests of ebony. It will seem amazing to live among white people when I get back to Paris. I love silhouettes so much, and these silhouettes walk. [quote on his journey through America during 1872]

Draw all kind of everyday object placed, in such a way that they have in them the life of the man or woman – corsets that have just been removed, for example, and which retain the form of the body. Do a series in aquatint on mourning, different blacks – black veils of deep mourning floating on the face – black gloves – mourning carriages, undertaker’s vehicles – carriages like Venetian gondolas. On smoke – smoker’s smoke, pipes, cigarettes, cigars – smoke from locomotives, from tall factory chimneys, from steam boats, etc. On evening – infinite variety of subjects in cafes, different tones of glass robes reflected in the mirrors. On bakery, bread. Series of baker's boys, seen in the cellar itself or through the basement windows from the street – backs the colour of the pink flour – beautiful curves of dough – still-life's of different breads, large, oval, long, round, etc. Studies in color of the yellows, pinks, grays, whites of bread... ...Neither monuments nor houses have ever been done from below, close up as they appear when you walk down the street. [a working note in which Degas planned series of views of modern Paris, the same time when he sketched the backstreet brothels, making graphic unflinching and even his realistic 'pornographic' sketches he called his 'glimpses through the keyhole', in which he also experimented with perspectives]