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" "There are quiet places also in the mind,” he said, meditatively. “But we build bandstand and factories on them. Deliberately — to put a stop to the quietness. We don’t like the quietness. All the thoughts, all the preoccupation in my head — round and round continually.” He made a circular motion with his hands. “And the jazz bands, the music hall songs, the boys shouting the news. What’s it all for? To put an end to the quiet, to break it up and disperse it, to pretend at any cost it isn’t there. Ah, but it is, it is there, in spite of everything, at the back of everything. Lying awake at night, sometimes — not restlessly, but serenely, waiting for sleep — the quiet re-establishes itself, piece by piece; all the broken bits, all the fragments of it we’ve been so busily dispersing all day long. It re-establishes itself, an inward quiet, like this outward quiet of grass and trees. It fills one, it grows –a crystal quiet, a growing expanding crystal. It grows, it becomes more perfect; it is beautiful and terrifying, yes, terrifying, as well as beautiful. For one’s alone in the crystal and there’s no support from outside, there’s nothing external and important, nothing external and trivial to pull oneself up by or to stand up, superiorly, contemptuously, so that one can look down. There’s nothing to laugh at or feel enthusiastic about. But the quiet grows and grows. Beautifully and unbearably. And at last you are conscious of something approaching; it is almost a faint sound of footsteps. Something inexpressibly lovely and wonderful advances through the crystal, nearer, nearer. And oh, inexpressibly terrifying. For if it were to touch you, if it were to seize and engulf you, you’d die; all the regular habitual, daily part of you would die. There would be and end of bandstands and whizzing factories, and one would have to begin living arduously in the quiet, arduously n some strange unheard-of manner. Nearer, nearer come the steps; but one can’t face the advancing thing.
Aldous Leonard Huxley (26 July 1894 – 22 November 1963) was a British author known for his novel Brave New World. He was the grandson of Thomas Henry Huxley and younger brother of Julian Huxley.
Biography information from Wikiquote
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'There are quiet places also in the mind', he said meditatively. 'But we build bandstands and factories on them. Deliberately — to put a stop to the quietness. ... All the thoughts, all the preoccupations in my head — round and round, continually What's it for? What's it all for? To put an end to the quiet, to break it up and disperse it, to pretend at any cost that it isn't there. Ah, but it is; it is there, in spite of everything, at the back of everything. Lying awake at night — not restlessly, but serenely, waiting for sleep — the quiet re-establishes itself, piece by piece; all the broken bits ... we've been so busily dispersing all day long. It re-establishes itself, an inward quiet, like the outward quiet of grass and trees. It fills one, it grows — a crystal quiet, a growing, expanding crystal. It grows, it becomes more perfect; it is beautiful and terrifying ... For one's alone in the crystal, and there's no support from the outside, there is nothing external and important, nothing external and trivial to pull oneself up by or stand on ... There is nothing to laugh at or feel enthusiast about. But the quiet grows and grows. Beautifully and unbearably. And at last you are conscious of something approaching; it is almost a faint sound of footsteps. Something inexpressively lovely and wonderful advances through the crystal, nearer, nearer. And, oh, inexpressively terrifying. For if it were to touch you, if it were to seize you and engulf you, you'd die; all the regular, habitual daily part of you would die ... one would have to begin living arduously in the quiet, arduously in some strange, unheard of manner.
Other curious and rather ominous consequences of war are the increased anti-Semitism which one meets in all classes, particularly the common people, and the strong recrudescence of anti-negro passions in the South. The first is due to the age-old dislike of a monied, influential and pushing minority, coupled with a special grudge against the Jews as being chiefly instrumental, in public opinion, in getting America into the war