Presently they saw their Mother coming out of the drawing-room with a visitor following her. Jane and Michael could see that the newcomer had shiny b… - P. L. Travers

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Presently they saw their Mother coming out of the drawing-room with a visitor following her. Jane and Michael could see that the newcomer had shiny black hair — "Rather like a wooden Dutch doll," whispered Jane. And that she was thin, with large feet and hands, and small, rather peering blue-eyes.
"You'll find that they are very nice children," Mrs. Banks was saying.
Michael's elbow gave a sharp dig at Jane's ribs.
"And that they give no trouble at all," continued Mrs. Banks uncertainly, as if she herself didn't really believe what she was saying. They heard the visitor sniff as though she didn't either.
"Now, about reference —" Mrs. Banks went on.
"Oh, I make it a rule never to give references," said the other firmly.

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About P. L. Travers

Pamela Lyndon Travers (August 9 1899 – April 23 1996) was a British author, born Helen Lyndon Goff in Maryborough, Queensland, Australia, best known as the creator of the "Mary Poppins" series of stories.

Biography information from Wikiquote

Also Known As

Pen Names: Pamela Lyndon Travers
Birth Name: Helen Lyndon Goff
Alternative Names: Miss Travers

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Additional quotes by P. L. Travers

This was the only place in the Park that was never mown or weeded. Clover, daisies, buttercups, bluebells, grew as high as the children's waists. Nettles and dandelions flaunted their blossoms, for they knew very well that the Park Keeper would never have time to root them out. None of them observed the rules. They scattered their seeds across the lawns, hustled each other for the best places, and crowded together so closely that their stems were always in shadowy darkness.

I’ve always been interested in the Mother Goddess. Not long ago, a young person, whom I don’t know very well, sent a message to a mutual friend that said: “I’m an addict of Mary Poppins, and I want you to ask P. L. Travers if Mary Poppins is not really the Mother Goddess.” So, I sent back a message: “Well, I’ve only recently come to see that. She is either the Mother Goddess or one of her creatures — that is, if we’re going to look for mythological or fairy-tale origins of Mary Poppins.” I’ve spent years thinking about it because the questions I’ve been asked, very perceptive questions by readers, have led me to examine what I wrote. The book was entirely spontaneous and not invented, not thought out. I never said, “Well, I’ll write a story about Mother Goddess and call it Mary Poppins.” It didn’t happen like that. I cannot summon up inspiration; I myself am summoned. Once, when I was in the United States, I went to see a psychologist. It was during the war when I was feeling very cut off. I thought, Well, these people in psychology always want to see the kinds of things you’ve done, so I took as many of my books as were then written. I went and met the man, and he gave me another appointment. And at the next appointment the books were handed back to me with the words: "You know, you don’t really need me. All you need to do is read your own books."
That was so interesting to me. I began to see, thinking about it, that people who write spontaneously as I do, not with invention, never really read their own books to learn from them. And I set myself to reading them. Every now and then I found myself saying, "But this is true. How did she know?" And then I realized that she is me. Now I can say much more about Mary Poppins because what was known to me in my blood and instincts has now come up to the surface in my head.

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were spilt on his bib, Jane and Michael could tell that the substance in the spoon this time was milk. Then Barbara had her share, and she gurgled and licked the spoon twice. Mary Poppins then poured out another dose and solemnly took it herself. “Rum punch,” she said, smacking her lips and corking the bottle. Jane’s eyes and Michael’s popped with astonishment, but they were not given much time to wonder, for Mary Poppins, having put the miraculous bottle on the mantelpiece, turned to them. “Now,” she said, “spit-spot into bed.” And she began to undress them. They noticed that whereas buttons and hooks had needed all sorts of coaxing from Katie Nanna, for Mary Poppins they flew apart almost at a look. In less than a minute they found themselves in bed and watching, by the dim light from the night-light, the rest of Mary Poppins’s unpacking being performed. From the carpet bag she took out seven flannel nightgowns, four cotton ones, a pair of boots, a

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