If I have called Cubism a new order, it is without any revolutionary ideas or any reactionary ideas.. .One cannot escape form one's own epoch, howeve… - Georges Braque

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If I have called Cubism a new order, it is without any revolutionary ideas or any reactionary ideas.. .One cannot escape form one's own epoch, however revolutionary one may be. I do not think my painting has ever been revolutionary. It was not directed against any kind of painting. I have never wanted to prove that I was right and someone else wrong.. .If there is a touch of reaction, since life imposes that, it is minute. And then it is so difficult to judge a thing historically, separated from its environment: it is the relationship between a man and what he does that counts. That's what good and touches us.

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About Georges Braque

Georges Braque (13 May 1882 – 31 August 1963) was a French painter and sculptor. He was one of the French Fauve painters, circa 1906. From 1908 he initiated, in close cooperation with Pablo Picasso, the first step of Cubism.

Also Known As

Alternative Names: George Braque G. Braque S Braque geo. braque george braque Braque geo braque George B. Giorgio Braque

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Additional quotes by Georges Braque

I would say that it was 'poetry' which distinguishes the cubist paintings which Picasso and I arrived at intuitively from the lifeless sort of painting which those who followed us tried, with such unfortunate results, to arrive at theoretically.

I will try to explain what I mean by metamorphosis. For me no object can be tied down to any sort of reality. A stone may be part of a wall, a piece of sculpture, a lethal weapon, a pebble on a beach or anything else you like.. ..when you ask me whether a particular in one of my paintings depicts a woman's head, a fish, a vase, a bird, or all four at once, I can't give you a categorical answer, for this 'metamorphosic' confusion is fundamental to the poetry.

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I couldn't portray a women in all her natural loveliness.. ..I haven't the skill. No one has. I must, therefore, create a new sort of beauty, the beauty that appears to me in terms of volume of line, of mass, of weight, and through that beauty interpret my subjective impression. Nature is mere a pretext for decorative composition, plus sentiment. It suggests emotion, and I translate that emotion into art. I want to express the absolute, not merely the factitious woman.

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