When the choice lies between the ultra-feminine and the virago, Shakespeare’s sympathy lies with the virago. The women of the tragedies are all femin… - Germaine Greer

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When the choice lies between the ultra-feminine and the virago,
Shakespeare’s sympathy lies with the virago. The women of the
tragedies are all feminine — even Lady Macbeth (who is so often
misinterpreted as a termagant), especially Gertrude, morally unconscious,
helpless, voluptuous, and her younger version, infantile
Ophelia, the lustful sisters, Goneril and Regan opposed by the warrior
princess Cordelia who refuses to simper and pander to her
father’s irrational desire. Desdemona is fatally feminine, but realizes
it and dies understanding how she has failed Othello. Only Cleopatra
has enough initiative and desire to qualify for the status of female
hero.

English
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About Germaine Greer

Germaine Greer (born 29 January 1939) is an Australian author, academic, critic and journalist.

Biography information from Wikiquote

Also Known As

Alternative Names: Rose Blight Dr. G Terf
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In order to approximate those shapes and attitudes which are considered normal and desirable, both sexes deform themselves, justifying the process by referring to the primary, genetic difference between the sexes. But of forty-eight chromosomes only one is different: on this difference we base a complete separation of male and female, pretending as it were that all forty-eight were different.

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