In The Origins of Totalitarianism, Hannah Arendt looked at the essential role that propaganda played in gaslighting the populations of Nazi Germany a… - Michiko Kakutani

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In The Origins of Totalitarianism, Hannah Arendt looked at the essential role that propaganda played in gaslighting the populations of Nazi Germany and Soviet Russia, writing that “in an ever-changing, incomprehensible world the masses had reached the point where they would, at the same time, believe everything and nothing, think that everything was possible and that nothing was true.”
“Mass propaganda,” she wrote, “discovered that its audience was ready at all times to believe the worst, no matter how absurd, and did not particularly object to being deceived because it held every statement to be a lie anyhow. The totalitarian mass leaders based their propaganda on the correct psychological assumption that, under such conditions, one could make people believe the most fantastic statements one day, and trust that if the next day they were given irrefutable proof of their falsehood, they would take refuge in cynicism; instead of deserting the leaders who had lied to them, they would protest that they had known all along that the statement was a lie and would admire the leaders for their superior tactical cleverness.

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About Michiko Kakutani

Michiko Kakutani (born January 9, 1955) is an American literary critic and former chief book critic for The New York Times. Her awards include a Pulitzer Prize for Criticism.

Biography information from Wikiquote

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If a novelist had concocted a villain like Trump—a larger-than-life, over-the-top avatar of narcissism, mendacity, ignorance, prejudice, boorishness, demagoguery, and tyrannical impulses... [one] would likely be accused of extreme contrivance and implausibility. ...less like a persuasive character than some manic cartoon artist's mashup... But the more clownish aspects of Trump ...should not blind us to the monumentally serious consequences of his assault on truth and the rule of law, and the vulnerabilities he has exposed in our institutions and digital communications.

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if they’re going to decide what we get to see and what we don’t get to see, then we need to make sure that they’re not just keyed to relevance but that they also show us things that are uncomfortable or challenging or important, other points of view.

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