It's not so much watching them but understanding how they were made – the preparation and willingness to deviate when necessary especially if you're … - Roger Corman

I don't know if I would say I'm an artist. [...] I would say that I'm a craftsman. I attempt to ply my trade in the best possible way. If occasionally something transcends the craft, then that's wonderful. [...] It doesn't happen very often.

My father was an engineer and I intended to follow in his footsteps, but movies became my real passion. Careful planning is important in engineering, so I used that experience to focus on film preproduction. With the low budgets I had, I couldn't afford to have the cast and crew waiting around for days on a 10-day picture while I figured out how and what to shoot.

[Asked why he never made a film like the art house titles his company distributed: I]t's an economic situation. All of those films were made in Europe with government subsidies. Fellini, Bergman, Truffaut did not have the necessity of having to earn their money back and so they were free to do what they liked. In the US it's different. It's a money-making industry, so that's what you have to do