For the others, like me, there is only the flash Of negative knowledge, the night when, drunk, one Staggers to the bathroom and stares in the glass T… - W. H. Auden

The mass and majesty of this world, all That carries weight and always weighs the same Lay in the hands of others; they were small And could not hope for help and no help came: What their foes like to do was done, their shame Was all the worst could wish; they lost their pride And died as men before their bodies died.

In Brueghel’s Icarus, for instance: how everything turns away
Quite leisurely from the disaster, the ploughman may
Have heard the splash, the forsaken cry,
But for him it was not an important failure; the sun shone
As it had to on the white legs disappearing into the green water,
And the expensive ship that must have seen
Something amazing, a boy falling out of the sky,
Had somewhere to get to and sailed calmly on.

"In the detective story, as in its mirror image, the Quest for the Grail, maps (the ritual of space) and timetables (the ritual of time) are desirable. Nature should reflect its human inhabitants, i.e., it should be the Great Good Place; for the more Eden-like it is, the greater the contradiction of murder. The country is preferable to the town, a well-to-do neighborhood (but not too well-to-do-or there will be a suspicion of ill-gotten gains) better than a slum. The corpse must shock not only because it is a corpse but also because, even for a corpse, it is shockingly out of place, as when a dog makes a mess on a drawing room carpet."

(The guilty vicarage: Notes on the detective story, by an addict, Harper's Magazine, May 1948)