A key moment of my spiritual epiphany was the tale told by the property manager of our apartment block, Mrs Marina. Every year on All Saints Day if I… - Angelique Rockas

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A key moment of my spiritual epiphany was the tale told by the property manager of our apartment block, Mrs Marina. Every year on All Saints Day if I remember correctly, she commemorated the death of her son who died from an overdose. She baked some holy bread, antidoro, and then took it to her parish Church as an offering for evening vespers. When I asked Mrs Marina why she was doing this, she replied simply, "So that Christ speaks to my son and takes pity", as it is on this particular day it is believed that the Christ descends once again into the bowels of hell, not to defeat death this time as in Holy Saturday, but to keep company with the so called damned. For mothers like Mrs Marina fearful that their dead children might inhabit this nether world because of their sins, despair of redemption etc, Christ's visit provides some hope- that He might take pity on them and relieve them of their eternal punishment. Christ as the God that Unshackles the power of Hell and Death , the Resurrected Christ that even reaches out to the damned , and not the Christ of Deo Satisfactio of the heretical western Churches is one of the great glories of Greek Orthodoxy and of Orthodoxy as a whole.

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About Angelique Rockas

Angelique Rockas (born 31 August 1951 in Boksburg) is a South African Greek actress, producer and activist. Rockas founded Internationalist Theatre in the UK with patron Athol Fugard. The theatre featured multi-racial casts in classical plays, breaking racial barriers that were once accepted norms for theatrical performances.

Also Known As

Alternative Names: Angelki, Anjelique

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..the gift of Orthodoxia : The call by the Christ not to be just good moral and ethical beings, which is where the western Churches stop- but to go beyond that , to be 'theanthropic", to reflect the generosity and magnificence and beauty of the Christ.

I myself have experienced the volcanic existential depths of the Greek language. It was during a performance of Medea by Tzeni Karezi at the Herod Atticus theatre in Athens ,when she was pleading to the callous Jason to take pity on her and she used the word ' splachniasou'. 'Pity' is too weak a word to describe the emotional and psychological depths ' splachniasou' expresses. 'Splachna 'is the part of the body where a woman carries her unborn children, the very root of ontological existence. How deep can you get!

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The ground breaking production of the company, and the point at which the cross-cultural casting began to bite, was Brecht’s anti-war play Mother Courage. Just one comment in a review by critic Malcolm Hay jolted us into the realisation that we were making history: Why is an Indian actor playing the Pastor?

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