Good-bye, Lois, and I forgive for you everything I did to you. - Robert Penn Warren

I didn’t answer right away, and she came across to the writing table, moving quick and nervous, the way she always did, inside of a shapeless shoddy-blue summer suit that she must have got by walking into a secondhand store and shutting her eyes and pointing and saying, “I’ll take that.

At first it was, as I have said, rather bracing and tonic. For after the dream there is not reason why you should not go back and face the fact which you have fled from (even if the fact seems to be that you have, by digging up the truth about the past, handed over Anne Stanton to Willie Stark), for any place to which you may flee will not be like the place from which you have fled, and you might as well go back, after all, to the place where you belong, for nothing was your fault or anybody's fault, for things are always as they are. And you can go back in good spirits, for you will have learned two very great truths. First, that you cannot lose what you have never had. Second, that you are never guilty of a crime which you did not commit. So there is innocence and a new start in the West after all.
If you believe that dream you dream when you go there.

Goodness. Yeah, just plain, simple goodness. Well you can’t inherit that from anybody. You got to make it, Doc. If you want it. And you got to make it out of badness. Badness. And you know why, Doc?” He raised his bulk up in the broken-down wreck of an overstuffed chair he was in, and leaned forward, his hands on his knees, his elbows cocked out, his head outthrust and the hair coming down to his eyes, and stared into Adam’s face. “Out of badness,” he repeated. “And you know why? Because there isn’t anything else to make it out of.” Then, sinking back into the wreck, he asked, softly, “Did you know that, Doc?