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" "I know what you want. You want a story that won't surprise you. That will confirm what you already know. That won't make you see higher or further or differently. You want a flat story. An immobile story. You want dry, yeastless factuality.
Yann Martel (born June 25, 1963) is a Canadian author most famous for his Man Booker Prize-winning novel Life of Pi.
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I challenge anyone to understand Islam, its spirit, and not to love it. It is a beautiful religion of
brotherhood and devotion.
The mosque was truly an open construction, to God and to breeze. We sat cross-legged
listening to the imam until the time came to pray. Then the random pattern of sitters disappeared as
we stood and arranged ourselves shoulder to shoulder in rows, every space ahead being filled by
someone from behind until every line was solid and we were row after row of worshippers. It felt
good to bring my forehead to the ground. Immediately it felt like a deeply religious contact.
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It's a misery peculiar to would-be writers. Your theme is good, as are your sentences. Your characters are so ruddy with life they practically need birth certificates. The plot you've mapped out for them is grand, simple and gripping. You've done your research, gathering the facts; historical, social, climatic culinary, that will give your story its feel of authenticity. The dialogue zips along, crackling with tension. The descriptions burst with color, contrast and telling detail.
Really, your story can only be great. But it all adds up to nothing.
In spite the obvious, shining promise of it, there comes a moment when you realize that the whisper that has been pestering you all along from the back of your mind is speaking the flat, awful truth: IT WON'T WORK.
An element is missing, that spark that brings to life in a real story, regardless of whether the history or the food is right.
Your story is emotionally dead, that's the crux of it.
The discovery is something soul-destroying, I tell you. It leaves you with an aching hunger.