"What motivates a creator? The desire for the creation to exist. A creator creates in order to bring the creation into being. People in the reactive-responsive orientation often have trouble understanding this sensibility: to create for the sake of the creation itself. Not for the praise, not for the "return on investment," not for what it may say about you, *but for its own sake.*
Poet Robert Frost captured the spirit of the orientation of the creative when he said:
"All the great things are done for their own sake."
...
When you separate yourself from your creations, you can experience one of the most profound understandings of creativity - love. *The reason you would create anything is because you love it enough to see it exist.*"

Intellectual property rights are sometimes hailed as the mother of creativity and invention. However, Marshall Brain points out that many of the finest examples of human creativity — from scientific discoveries to creation of literature, art, music and design — were motivated not by a desire for profit but by other human emotions, such as curiosity, an urge to create, or the reward of peer appreciation. Money didn’t motivate Einstein to invent special relativity theory any more than it motivated Linus Torvalds to create the free Linux operating system. In contrast, many people today fail to realize their full creative potential because they need to devote time and energy to less creative activities just to earn a living. By freeing scientists, artists, inventors and designers from their chores and enabling them to create from genuine desire, Marshall Brain’s utopian society enjoys higher levels of innovation than today and correspondingly superior technology and standard of living.

Creators understand that their emotions are not necessarily a sign of the circumstances. They understand that in desperate circumstances they may experience joy, and in jubilant circumstances they may feel regret. They know that any emotion will change. But because emotions are not the centerpiece of their lives, they do not pander to them. They create what they create, not in reaction to their emotions but independent of them. On days filled with the depths of despair, they can create. On days filled with the heights of joy, they can create.

You must set forth and find the center of your interest. You are a creator, but you must find your interest and then dedicate yourself to that interest — not to the act of creativity. Merely to want to create will make it impossible for you to do so. You must find an interest greater than yourself — a love, perhaps — and then the power to create will set you on fire.

But, really, why does anyone create? You feel a...restlessness inside, a need to make something new, something no one has ever seen before. You want to add to the beauty and the richness of the world with a gift, an offering that is uniquely yours. It's an act of selfishness and generosity, all rolled into one.

We were created to be creators.

For you to make your creative work creative, you must seek creativity from the creator.

What is the difference between “creator” and “craftsman”? The one who creates bestows being itself, he brings something out of nothing — ex nihilo sui et subiecti, as the Latin puts it — and this, in the strict sense, is a mode of operation which belongs to the Almighty alone. The craftsman, by contrast, uses something that already exists, to which he gives form and meaning.

For the truly creative mind in any field is no more than this — a human creature born abnormally, inhumanly sensitive. To him a touch is a blow, a sound is a noise, a misfortune is a tragedy, a joy is an ecstasy, a friend is a lover, a lover is a god, and failure is death. Add to this cruelly delicate organism the overpowering necessity to create — to create — to create — so that without the creating of music or poetry or books or buildings or something of beauty and meaning his very breath is cut off from him. He must create. He must pour out creation. By some strange unknown pressing inward urgency he is not really alive unless he is creating.

Creating means living.

The mainspring of creativity appears to be the same tendency which we discover so deeply as the curative force in psychotherapy — man’s tendency to actualize himself, to become his potentialities. By this I mean the directional trend which is evident in all organic and human life — the urge to expand, extend, develop, mature — the tendency to express and activate all the capacities of the organism, or the self. This tendency may become deeply buried under layer after layer of encrusted psychological defenses; it may be hidden behind elaborate façades which deny its existence; it is my belief however, based on my experience, that it exists in every individual, and awaits only the proper conditions to be released and expressed. It is this tendency which is the primary motivation for creativity as the organism forms new relationships to the environment in its endeavor most fully to be itself.

What drove me? I think most creative people want to express appreciation for being able to take advantage of the work that's been done by others before us. I didn't invent the language or mathematics I use. I make little of my own food, none of my own clothes. Everything I do depends on other members of our species and the shoulders that we stand on. And a lot of us want to contribute something back to our species and to add something to the flow. It's about trying to express something in the only way that most of us know how-because we can't write Bob Dylan songs or Tom Stoppard plays. We try to use the talents we do have to express our deep feelings, to show our appreciation of all the contributions that came before us, and to add something to that flow. That's what has driven me.

(L)ittle is debated with greater ferocity than the question of what the creator owes the creation. Some feel you must hover over it, guarding it every moment. Others believe the highest, hardest, and most important task is to let go. They say that just as the parent must at some point release the child to the world, the creator must release the creation. Otherwise you stop it in its tracks, strangle its growth. Then you become not only its creator, but its executioner.

A creator is not in advance of his generation but he is the first of his contemporaries to be conscious of what is happening to his generation. A creator who creates, who is not an academician, who is not someone who studies in a school where the rules are already known, and of course being known they no longer exist, a creator then who creates is necessarily of his generation. His generation lives in its contemporary way but they only live in it. In art, in literature, in the theatre, in short in everything that does not contribute to their immediate comfort they live in the preceding generation.