L’homme qui, dès le commencement, a été longtemps baigné dans la molle atmosphère de la femme, dans l’odeur de ses mains, de son sein, de ses genoux,… - Charles Baudelaire

Nothing is as tedious as the limping days,
When snowdrifts yearly cover all the ways,
And ennui, sour fruit of incurious gloom,
Assumes control of fate’s immortal loom

I sincerely believe that the best criticism is the criticism that is entertaining and poetic; not a cold analytical type of criticism, which, claiming to explain everything, is devoid of hatred and love, and deliberately rids itself of any trace of feeling, but, since a fine painting is nature reflected by an artist, the best critical study, I repeat, will be the one that is that painting reflected by an intelligent and sensitive mind. Thus the best accounts of a picture may well be a sonnet or an elegy . . . But that type of criticism is destined for books of poetry and for readers of poetry. As to criticism proper, I hope philosophers will understand what I am about to say: to be in focus, in other words to justify itself, criticism must be partial, passionate, political, that is to say it must adopt an exclusive point of view, provided always the one adopted opens up the widest horizons.

God is the only being who need not even exist in order to reign.<p>Whatever is created by the spirit is more alive than matter.