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" "In endeavouring to recall a few memorials of Mrs. Lawrence Burgoyne, I do it on the same principle that scientific men collect the bones of a mammoth — the whole exists no longer ; but there are sufficient remains to show that it did exist.
Letitia Elizabeth Landon (August 14, 1802 – October 15, 1838) was an English poet and novelist, better known by her initials L. E. L. She was one of the richest sources of epigrams in the early nineteenth century and one reviewer compared her to Rochefoucauld. Sometimes she adopts an adversarial role, giving contradictory viewpoints. Some of her thoughts recur, either developed or refined, but over time she also threw out differing opinions on some subjects; changeability, she argues, is one of our principal traits and, as she has one character remark, truth is like the philosopher's stone, a thing not to be discovered.
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For a discussion of some of the contents of this significant cultural volume, see Adriana Craciun, ‘Fatal Women of Romanticism’, Cambridge University Press, 2004, page 204. The section ‘The Enchantress’ here begins by describing that first story as a ‘self-consciously Byronic text’ that ‘develops a Promethean, distinctly Luciferian model of poetic identity and self-creation’.
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She leant upon her harp, and thousands looked
On her in love and wonder—thousands knelt
And worshipp'd in her presence—burning tears,
And words that died in utterance, and a pause
Of breathless, agitated eagerness,
First gave the full heart's homage: then came forth
A shout that rose to heaven; and the hills,
The distant valleys, all rang with the name
Of the Æolian Sappho—every heart
Found in itself some echo to her song.