For a discussion of some of the contents of this significant cultural volume, see Adriana Craciun, ‘Fatal Women of Romanticism’, Cambridge University… - Letitia Elizabeth Landon

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For a discussion of some of the contents of this significant cultural volume, see Adriana Craciun, ‘Fatal Women of Romanticism’, Cambridge University Press, 2004, page 204. The section ‘The Enchantress’ here begins by describing that first story as a ‘self-consciously Byronic text’ that ‘develops a Promethean, distinctly Luciferian model of poetic identity and self-creation’.

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About Letitia Elizabeth Landon

Letitia Elizabeth Landon (August 14, 1802 – October 15, 1838) was an English poet and novelist, better known by her initials L. E. L. She was one of the richest sources of epigrams in the early nineteenth century and one reviewer compared her to Rochefoucauld. Sometimes she adopts an adversarial role, giving contradictory viewpoints. Some of her thoughts recur, either developed or refined, but over time she also threw out differing opinions on some subjects; changeability, she argues, is one of our principal traits and, as she has one character remark, truth is like the philosopher's stone, a thing not to be discovered.

Also Known As

Pen Names: L.E.L. Iole
Native Name: Letitia Landon
Alternative Names: L. E. L. Letitia Maclean Letitia Elizabeth Maclean Landon

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A gay temper is like a bright day ; true, it may have its faults — a little petulance, a little wilfulness — the flush may be too ready in the cheek, and the flash too prompt in the eye ; still these are only trifles to be pardoned, and we like that all the better in which we have something to forgive.

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I have ever remarked, that when Fate has any great misfortune in store, it is always preceded by a brief period of calm and sunshine—as if to add bitterness of contrast to all other misery. It is for the happy to tremble—it is over their heads that the thunderbolt is about to burst.

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