'Time' has a large part to play in looking at a picture. A picture (a stupid empty surface to begin with) gets covered in the course of its creation … - August Macke

'Time' has a large part to play in looking at a picture. A picture (a stupid empty surface to begin with) gets covered in the course of its creation by a rhythmically measured network of colors, lines and dots, which evokes in its final form a total of living movement. The eye jumps from a blue to red, to green (even if there is only a change of form), to a black line, suddenly comes upon a sharp white eruption, follows it, floats on to... It is impossible to take it all in at once. Time is inseparable from surface.

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About August Macke

August Macke (3 January 1887 – 26 September 1914) was a German Expressionist artist, who was well-known for introducing bright colors in the early stages of Expressionism. He was part of the art-group Der Blaue Reiter, which he joined through his friendship with Franz Marc, and knew Wassily Kandinsky, Paul Klee, and Robert Delaunay; before his death in the First World War, he would leave behind hundreds of artworks, celebrated by the people around him.

Also Known As

Native Name: August Robert Ludwig Macke
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Additional quotes by August Macke

Cubism, Futurism, Expressionism, abstract painting, are only names given to a change which our artistic thinking wants to make and is thinking. Nobody has ever painted fallen raindrops suspended in the air, they've always been depicted as streaks (even the cave-men drew herds of reindeer in the same way). Now people are painting cabs rattling, lights flickering, people dancing, all-in the same way (this is how we all see movement). That is thew whole frightfully simple secret of Futurism. Its very easy to prove its artistic feasibility, for all the philosophizing that has been raised against it. Space, surface and time are different things, which ought not to be mixed together, is the continuous cry. If only it were possible to separate them. I can't do it.

I have just been thinking that the Blaue Reiter (Blue Rider) does not really represent my work. I have always been convinced that other things of mine are more important. ... Narcism, fake heroism, and blindness have a lot to answer for, in the 'Blaue Reiter'. All those high-sounding words about the birth of a great spiritual moment still resounding in my ears. Kandinsky can air his personal opinion about that or any other revolution he cares to mention. But I dislike the whole thing. ... Take my advice – work, and don't spent so much time thinking about blue riders or blue horses.

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