I simply must say, as crass as we are conditioned by a troubled society to regard the word, I am a firm believer in the comparative merits of the wor… - David Foster Wallace

The truth is you already know what it’s like. You already know
the difference between the size and speed of everything that flashes
through you and the tiny inadequate bit of it all you can ever let anyone
know. As though inside you is this enormous room full of what
seems like everything in the whole universe at one time or another and
yet the only parts that get out have to somehow squeeze out through
one of those tiny keyholes you see under the knob in older doors. As if
we are all trying to see each other through these tiny keyholes.

But it does have a knob, the door can open. But not in the way you
think. But what if you could? Think for a second — what if all the infinitely dense and shifting worlds of stuff inside you every moment of your life turned out now to be somehow fully open and expressible afterward,
after what you think of as you has died, because what if afterward
now each moment itself is an infinite sea or span or passage of time in
which to express it or convey it, and you don’t even need any organized
English, you can as they say open the door and be in anyone else’s
room in all your own multiform forms and ideas and facets? Because
listen — we don’t have much time, here’s where Lily Cache slopes
slightly down and the banks start getting steep, and you can just make
out the outlines of the unlit sign for the farmstand that’s never open
anymore, the last sign before the bridge — so listen: What exactly do
you think you are? The millions and trillions of thoughts, memories,
juxtapositions — even crazy ones like this, you’re thinking — that flash
through your head and disappear? Some sum or remainder of these?
Your history? Do you know how long it’s been since I told you I was a
fraud? Do you remember you were looking at the respicem watch
hanging from the rearview and seeing the time, 9:17? What are you looking at right now? Coincidence? What if no time has passed at all?*
The truth is you’ve already heard this. That this is what it’s like.

Molly Notkin often confides on the phone to Joelle van Dyne about the one tormented love of Notkin's life thus far, an erotically circumscribed G.W. Pabst scholar at New York University tortured by the neurotic conviction that there are only a finite number of erections possible in the world at any one time and that his tumescence means e.g. the detumescence of some perhaps more deserving or tortured Third World sorghum farmer or something, so that whenever he tumifies he'll suffer the same order of guilt that your less eccentrically tortured Ph.D.-type person will suffer at the idea of, say, wearing baby-seal fur. Molly still takes the high-speed rail down to visit him every couple of weeks, to be there for him in case by some selfish mischance he happens to harden, prompting black waves of self-disgust and an extreme neediness for understanding and nonjudgmental love.

sarcasm and jokes were often the bottle in which clinical depressives sent out their most plangent screams for someone to care and help them.