I constantly find myself saying `I must write — or tell — that to Joan', then suddenly remember that one can't, and nothing seems to have any point. - Patrick Leigh Fermor

It was a time of anxiety and danger; and for our captive, of hardship and distress. During a lull in the pursuit, we woke up among the rocks just as a brilliant dawn was breaking over the crest of Mount Ida. We had been toiling over it, through snow and then rain, for the last two days. Looking across the valley at this flashing mountain-crest, the general [Kriepe] murmured to himself:<blockquote>Vides ut alta stet nive candidum, Soracte...</blockquote>

and so on, through the remaining five stanzas to the end. The general's blue eyes had swivelled away from the mountain-top to mine — and when I'd finished, after a long silence, he said: `Ach so, Herr Major!' It was very strange. As though, for a long moment, the war had ceased to exist. We had both drunk at the same fountains long before; and things were different between us for the rest of our time together.

All this is going on under a rush mat shelter with a table where I write at 11.00 on Sunday morning with lots of cicadas grinding away and Joan's voice up above calling to her cats — two different sets of kittens, with their clans, who are not allowed to meet, so the house is sundered by a sort of cats' Berlin Wall, dividing the house into two mews flats, as Johnny C[raxton] (or I) might say.