The Rohillas displayed their iconoclastic fervour during the campaing, melting all the silver and gold idols they could seize. In the interests of th… - Meenakshi Jain

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The Rohillas displayed their iconoclastic fervour during the campaing, melting all the silver and gold idols they could seize. In the interests of the Himalayan trade and the pilgrimage traffic, the Kumaun rajas maintained cordial relations with them. p. 70

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About Meenakshi Jain

Meenakshi Jain is an Indian political scientist and historian.

Also Known As

Alternative Names: Member of Rajya Sabha
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But what is truly astounding is Kishore Kunal's exposure on the Treta Ka Thakur inscription housed in Lucknow Museum. For over two decades, Left historians, principally Professor Irfan Habib, mounted a forceful campaign claiming that this inscription was stolen from Lucknow Museum and planted at Ayodhya during the chaos of 6th December. Now for the first time a photograph of the Treta Ka Thakur inscription has been published. It conclusively establishes that the Treta Ka Thakur inscription and the Vishnu Hari inscription found in 1992 are two distinct epigraphs and that there had been no substitution.
But does evidence really matter? Evidence may come; evidence may go; bu Left historians "go on forever". (p 7)

The Bindu Madhava, the most important Vishnu temple in Varanasi, was demolished in 1669 and a mosque constructed in its place. The temple now bearing the name Bindu Madhava is a modest structure in the shadow of the mosque, but continues the traditions associated with the site.

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In several cases, temple structures were burnt or demolished stone by stone. All materials that could be used went into the construction of churches. Metal images were melted and used to make church ornaments. In the Salcete territory, all temples in 58 of the 76 villages were destroyed. The Jesuits estimated the big temples to number 280, while the small temples were “innumerable.”The wood of the Lakshmi temple in Sancoale village was utilized in making the church of St. Lourenco. The images of Daro (Dhaddo), Pormando (Paramameda), Narana (Narayana) Baguaonte (Bhagavati), Hesporo (Ishwara, Shiva) were burnt, beaten to pulp, and thrown in the river, A guru (guru of the temple is the gentile who cleans the temple and sweeps it, who decorates it and adores its idols; he lives next to the temple and eats the offerings) cried so much as it is possible to cry for the death of the good king. p 218

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