Praful Goradia Quotes

The author prefers to quote either British authorities or Muslim chroniclers so that neither authenticity nor objectivity is questioned. However, before moving on to the next monument, he wishes to iterate that additions and alterations of such historic edifices are still taking place. He was quite put off by the white-washing, however fresh or glistening, that had been done on the granite pillars and ceiling of the Jama masjid. The Makhdum Jahaniya fortunately has not suffered this ugly transformation. On the other hand, the Jami masjid at Etawah, only about a hundred kilometres away, which we visited the previous day, was a lso a casualty of whitewashing. What should be the role of the Archaeological Survey is best answered by its directors and, perhaps, the Ministry of Culture.

One night during the monsoon of 1991, the rain was so heavy that it washed away the wall that was concealing the frontage of the Bijamandal mosque established by Aurangzeb in 1682. This masjid is a centre of attraction in the district town of Vidisha situated some 40 kms from Bhopal. The broken wall exposed so many Hindu idols that the Archaeological Survey of India (ASI) was left with no choice but to excavate. For three centuries, the idols were buried under the platform, on the northern side, which was used as the hall of prayer conducted specially on days of Eid. Fortunately, the district col lector in 1991 happened to offer protection to the surveyors of ASI, who were otherwise reluctant to expose themselves to the wrath of bigots.

The temple today is 55 feet tall. Before its upper part was destroyed on Aurangzeb's orders in anticipation of his visit to Vrindavan in 1670 AD, the mandir was reputed to be twice that height. On its roof, after the destruction, a mehrab or prayer wall was erected and the iconoclastic emperor offered namaaz. Almost two centuries later, F.S. Growse, who belonged to the Bengal Civil Service and was Collector of Mathura District, had the mehrab removed. First, because it was an eyesore, and second, in an endeavour to redeem whatever character was left of the temple. Although the original idol remained at Jaipur, another set of deities was installed by the pujaris or priests. Since then, the temple has a flat roof. Probably, no other desecrated temple had been the subject of so much repair and refurbishment by British rulers. Of supreme importance was the fact of the mandir being restituted to Hindu devotees. It was the greatest act of shuddhi or purification although performed before Swami Dayanand Saraswati reintroduced Vedic procedures.... The Gobind Dev temple at Vrindavan, Mathura, is indeed massive its plinth is 105 feet by 117 feet. It is estimated that the original height was about 110 feet without which it would not have been possible to see the mashaal or torch either from Agra or from Delhi. The temple was built in 1590 AD by Maharaja Mansingh of Jaipur.

The author's colleagues and he were taken aback when several men of the Central Reserve Police in mufti stopped them from entering the famous Bhojshala. They said that normal entry to this temple school founded by Raja Bhoj was prohibited. On persuasive questioning, one of the policemen told us, that if we were Muslim, we could go in for two hours on any Friday. On the other hand, Hindus were allowed entry only once a year, on Vas ant Panchami or the day of Saraswati, the goddess of learning. If we belonged to any other faith, entry was regretted. No amount of coaxing was sufficient to make the policemen change their minds and allow us even a five minute walk through this historic temple school. We then realised why the compound had been barricaded although the neighbouring masjid named after Kamal Maula was functioning. So was a nearby dargaah and a few shops selling trinkets for rituals. This blatantly discriminatory order was issued by the Digvijay Singh government in 1997 when reports said that there was Hindu-Muslim tension in the area.

The pillars are some 30 feet high gorgeously carved either with exquisite designs up to a height of about 26 feet, thereafter adorned with delicate figurines . Uncannily, there is not a single figure whose face has not been cut off. Nowhere in Europe does one see such acts of vandalism, except what the original barbarian vandals themselves perpetrated under their king Gaiseric, in the wake of the conquest of Rome in 455AD. Hereafter, the word vandal became synonym with wilful desecration and destruction. The figurines on all the relics on display at the Rajputana Museum as well as those salvaged by the Archaeological Survey of India (ASI) duly locked in the compound of the Jhopra have been systematically defaced. Amongst the thousands of stone heads, not a single nose or an eye is visible.

The Adina or Friday mosque is situated on National Highway No. 34 between Raiganj in West Dinajpur district of West Bengal and Maida. At first glimpse, the dual colour of the edifice walls strikes the visitor. The first ten feet immediately above the ground are grey in colour because of stone tiles. The upper 12 feet comprise of red brick work. Evidently, the current mosque was superimposed on an earlier building.

Rich treasures of sculpture were thus salvaged. Some of the statues were particularly splendid; some were as high as eight feet. The work of the archaeologists, however, did not last long. The ASI soon received instructions to stop further work. The officer of the ASI working on the excavations was transferred, as was the collector. Whether this had anything to do with the new Human Resource Development Minister, Arjun Singh, I 99 1-94, who happened to be the leader of the self-styled secular lobby in Madhya Pradesh, is not known. Since then, the Bijamandal mosque is marking time with a great deal of sculpture hidden under its southern side.

To paraphrase William Shakespeare, not all the scents of Arabia would suffice to wash away the sins of Ghazni and Alamgir at Mathura. And since it is not possible to claim back what was destroyed long ago, the return of the Idgaah and the shuddhi of Krishnajanmabhoomi or the birth place of Krishna, is the only alternative.

It is all the more unfortunate that the ASI is not being allowed to work on the site despite pressure from local citizens. No other temple turned mosque has witnessed more repeated agitations and satyagraha, than Vijay Mandir. The citizens of Vidisha relate, how year after year, at Eid time they used to offer satyagraha and get arrested. Leaders who agitated even 50 years ago, are still alive to narrate the saga of their efforts.

Mukhlis and Khalis were in tum governors of Jaunpur under Ibrahim Naib Barbak, who was anxious to build an edifice for the residence of a celebrated saint named Saiyid Usman ofShiraz, who had fled from Delhi during Timur's invasion. In 1908, when the gazetteer was published by Nevill, the descendants of the saint still resided near the mosque. The style of architecture is not very different from that of the Jhanj hari masj id. The roof stands on ten rows of Hindu temple pillars. According to the gazetteer; the mandir had been built by Raja Vijaya Chandra. The river Gomti flows through the city of Jaunpur and there is an impressive bridge across the river. It is a massive stone structure built in the 1560s. The bridge does not rise towards its centre but is flat. It is an original construction. The only feature that mars its originality is a colossal stone lion standing over a small elephant. According to Nevill, it bears the stamp of ancient Hindu workmanship and must have adorned the gateway of some building erected by the Raja ofKannauj. To the west of the northern end of the bridge is the big fort of Jaunpur, built in the time of Ibrahim. But Firoz Shah Tughlaq is credited with having rebuilt the fortress on an old structure inherited from the Hindu era. Evidence of the legacy. is the masjid inside the fort, built on temple pillars of various shapes and designs. Nevill has remarked that some of the pillars are upside down which supports the theory that a number of temples in Jaunpur were destroyed in order to provide stones required to build the fort; the inner face of almost every stone bore carvings, which had decorated Hindu temples.

Octogenarian Niranjan Verma, a former parliamentarian, remembers how Jawaharlal Nehru found some reason or the other not to meet the delegations led by him. Eventually, he diverted Verma to see Maulana Abul Kalam Azad, who could not spare the time to visit Vidisha but deputed Prof Humayun Kabir, the then Education Secretary. The professor was impartial, and immediately conceded in the presence of many a local citizen that it was indeed a temple. However, at this late stage, since the matter would take on political hues, as a bureaucrat, he could do little. Verma and his supporters also approached Dr Kailash Nath Katju when he became Chief Minister of Madhya Pradesh. The reply they got was that Verma and his men should first persuade the Congressmen of Vidisha into agreeing that the Chief Minister could intervene in Bijamandal. Not long after that, the delegation met the then Chief Minister Mandloi who, incidentally, was sympathetic. His only problem was the fear of Nehru's wrath, which he candidly admitted. As already mentioned, Mishra did bring a halt to namaz being conducted in the edifice. His government donated Rs.40,000 for the construction of a separate idgaah nearby. By then Jawaharlal Nehru had been succeeded by the not antipathic Lal Bahadur Shastri.

The first example of shuddhi that the author came across was the tomb of Sultan Ghari which has an interesting history and a delightful present. If only this example of popular spontaneity can be extended to all the temples converted into mosques, would there not be Hindu-Muslim friendship? Just go any afternoon and see for yourself.

Lest the author sound antagonistic towards either Bangladesh or Pakistan, let him begin with the destruction that has taken place in the Kashmir Valley since 1990. He is quoting from a book called Kashmir: Wail of a Valley by R .N. Kaul, Sterling Publishers, New Delhi.46 Amongst the prominent temples to be set on fire was the Dashnami Akhara in Srinagar. It is the mandir from where the annual summer pilgrimage to Amamath begins. Ganpatyar temple has been attacked again and again including by bombs. It has a lso been subjected to two separate rocket attacks. The Shiva temple at Jawahir Nagar, a well known locality of Srinagar, was yet another object of attack. At Anantnag, the targets of violence were the Raghunath as well as the Gautam Nag mandirs and the triple temple ofLok Bhawan. The Wanpoh mandir which had been almost completely demolished in 1986, was again desecrated on 21st February, 19~2. The Mattan mandir was instantly converted into a Muslim shrine by namaz, being said. In all, some 70 Hindu places of worship have been desecrated.

The excuse given was that the Bhojshala was, in any case, a protected monument and barricading it would be the best way to secure its protection. Incidentally, there was no threat from anyone either damaging or demolishing the structure. The discriminatory order of entry 52 times a year to one community, and only once a year to another and none to the rest is based on an extraordinary precedent. The author understands that-in 1935 on the insistence by some local residents of Dhar, which was then a princely state, that the Bhojshala was a Hindu institution -the temple of Goddess Saraswati, on the one hand, and a school, on the other. A photograph of the deity's image which adorned the temple is reproduced in this book. The idol is still on display in the British Museum in London. A part of the Sanskrit inscription which is engraved on a wall of the Bhojshala is also reproduced. It is called Dhar Prasasti of Arjunavarma: Parijatamanjari-natika by Madana.

There are some 20 alcoves in the northern wall. They all give the impression of temp le carvings. If there be any doubt, it is set at rest by what was used as mimbar or the pulpit for the Imam . The face of t he last step is covered with carvings of two female figures which, of course, have been defaced but are still unmistakably human statuettes.