Even today, the ruins demonstrate the finery of the sculpture. Human faces have been mutilated. The tablet displayed at the spot by the ASI says the … - Praful Goradia

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Even today, the ruins demonstrate the finery of the sculpture. Human faces have been mutilated. The tablet displayed at the spot by the ASI says the following: This is the grandest and the most impressive conception of a temple dedicated to Siva associated with Siddharaj who ruled in the 12th century AD though tradition accords its construction to Mularaj during the lOth century AD. The Jami Masjid (mentioned in the blurb) is a modest affair. Its gate is so small that not more than two persons can enter at the same time. On its top are two minarets less than three feet tall. As one crossed the gate, there are four small temple sancti, one on the left and three on the right. It is clear that the sancti had been walled up and converted into a mebraab for the prayer space; Beyond this is the square tank from ancient times which was also used by those who came for ibadat. Beyond, stand a few handsome pillars and carvings that have survived from ancient times.

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About Praful Goradia

Praful Dwarkadas Goradia is a politician from Akhil Bharatiya Jan Sangh party. He was a Member of the Parliament of India representing Gujarat in the Rajya Sabha, the upper house of the Parliament from 1998 to 2000 as member of Bharatiya Janata Party. Currently, he is general secretary of the Akhil Bharatiya Jan Sangh.

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Alternative Names: goradia sir Praful Dwarkadas Goradia
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The excuse given was that the Bhojshala was, in any case, a protected monument and barricading it would be the best way to secure its protection. Incidentally, there was no threat from anyone either damaging or demolishing the structure. The discriminatory order of entry 52 times a year to one community, and only once a year to another and none to the rest is based on an extraordinary precedent. The author understands that-in 1935 on the insistence by some local residents of Dhar, which was then a princely state, that the Bhojshala was a Hindu institution -the temple of Goddess Saraswati, on the one hand, and a school, on the other. A photograph of the deity's image which adorned the temple is reproduced in this book. The idol is still on display in the British Museum in London. A part of the Sanskrit inscription which is engraved on a wall of the Bhojshala is also reproduced. It is called Dhar Prasasti of Arjunavarma: Parijatamanjari-natika by Madana.

Bhojshala was a college. The District Gazetteer says that Raja Bhoj school is a mosque, a part of which was converted from a Hindu institution of the 11th century, the Saraswati temple or school. According to the publication, this shrine of Saraswati, the Hindu goddess of learning, is described in the Sanskrit play of Arjunavarma Paramara, 1210-16 as the ornament of the eightyfour squares of Dharanagari. Two slabs were discovered behind the mehrab, one bearing the Prakrit odes of the 11th century (supposed to have been composed by Raja Bhoj himself) and the other the Sanskrit play mentioned above, which praises Arjunavarma. These slabs stand on the north side of the building and are beautiful specimens of the stone cutter's work.

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However, to avoid giving a religious or a communal colour to the shuddhi or reconversion, the idol installed in the sanctum sanctorum was that of Bharat Mata. It is therefore now known as the Bharat Mata temple, although for 700 years it had been called Jami masjid. The mandir was built on a plan not dissimilar to Palitana in Gujarat and Dilwara at Mount Abu, Rajasthan. There is a large courtyard. There were the usual traditional 52 pillars as in Jain places of worship. At the western end was a hall, typical of an ancient temple. A flat roof was held aloft by 152 stone pillars. The author and his colleagues during their visit in 200-1 were told on authority that the pillars were constructed according to the Himar Panti style of architecture, one of whose special characteristics was the interlocking of stones without the use of any cementing material.

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