Iltutmish Quotes

“In AH 631 he invaded Malwah, and after suppressing the rebels of that place, he destroyed that idol-temple which had existed there for the past three hundred years.... “Next he turned towards Ujjain and conquered it, and after demolishing the idol-temple of Mahakal, he uprooted the statue of Bikramajit together with all other statues and images which were placed on pedestals, and brought them to the capital where they were laid before the Jami‘ Masjid for being trodden under foot by the people.”110

…And in the year AH 631 (AD 1233) having made an incursion in the direction of the province of Malwah and taken Bhilsa and also captured the city of Ujjain, and having destroyed the idol-temple of Ujjain which had been built six hundred years previously, and was called Mahakal, he levelled it to its foundations, and threw down the image of Rai Vikrmajit from whom the Hindus reckon their era… and brought certain other images of cast molten brass and placed them on the ground in front of the door of the mosque of old Dihli and ordered the people to trample them under foot…

That the practice of utilizing the spoils of Hindu temples continued throughout the reign of Sultan Iletmish is proved by the Mosque of Ukha in Bayana (Uttar Pradesh), which is also on the site of a Hindu temple…

The tomb of Shamsu'd-Din Iltumish... was built in about 1235 by Iltumish himself, only five years after the construction of Sultan Ghari's tomb. Yet it is quite different from the latter and illustrates that phase in the develpment of Indo-Islamic architecture when the builder had ceased to depend for material on the demolition of temples, although the arches and semi-domes below the squinches were still laid in the indigenous corbelled fashion. ... The tomb is plain on the outside, but is profusely carved on the entrances and in the interior with inscriptions in Kufi and Naskh characters and geometrical and arabesque patterns in Saracenic tradition, although several motifs among its carvings are reminiscent of Hindu decoration. ... In view of its lavish ornamentation, Fergusson described it as 'one of the richest examples of Hindu art applied to Muhammadan purposes.' [...] The monument [Sultan Ghari] exemplifies the same phase in tomb-architecture, as we find in the Quwwatu'lIslam mosque: it is built with architrectural members removed from temples and employs the trabeated construction with which the indigenous architects were familiar.

During his expedition to Gwalior, Iltutmish (1210-36) massacred 7000 persons besides those killed in the battle on both sides. His attacks on Malwa (Vidisha and Ujjain) were met with stiff resistance and were accompanied by great loss of life. He is also credited with killing 12,000 Khokhars (Ghakkars) during Aibak's reign.

…In the year AH 631, he invaded the country of Mãlwah and conquered the fort of Bhîlsã. He also took the city of Ujjain, and had the temple of Mahãkãl… completely demolished, destroying it from its foundations; and he carried away the effigy of Bikramãjît… and certain other statues which were fashioned in molten brass, and placed them in the ground in front of the Jãmi' Masjid, so that they might he trampled upon by the people.

Shamsuddin Iltutmish who succeeded Aibak at Delhi invaded Malwa in 1234 AD. He destroyed an ancient temple at Vidisha. Badauni reports: “Having destroyed the idol temple of Ujjain which had been built six hundred years previously, and was called Mahakal, he levelled it to its foundations, and threw down the image of Rai Vikramajit from whom the Hindus reckon their era, and brought certain images of cast molten brass and placed them on the ground in front of the doors of mosques of old Delhi, and ordered the people of trample them under foot.”

The faithful Gabriel carried the tidings to the dwellers in heaven,
From the record of victories of the Sulṭan of the age Shams ud-Din,
Saying — Oh ye holy angels raise upon the heavens,
Hearing this good tidings, the canopy of adornment.
That from the land of the heretics the Shahanshah of Islam
Has conquered a second time the fort resembling the sky;
The Shah, holy warrior and Ghazi, whose hand and sword
The soul of the lion of repeated attacks praises.

Naqvi has taken pains to describe at length the edifice which began as a temple, got converted into a tomb and to which was added a masjid with a marble mehrab and then a gate with pretty Arabic calligraphy of verses from the Holy Quran. As he puts it, the gateway projects 13 ~feet from the enclosure wall and is approached and entered by a flight of steps flanked by two square rooms which are roofed with stone slabs in the Hindu fashion. The external archway of the gate is formed by overlapping courses of marble and around it is the important Arabic inscription in Kufic characters.
He goes on, after crossing the threshold, one stands under the eastern colonnaded verandah, the flat roof of which rests on red sandstone pillars. The latter are not uniformly carved, indicating that they have been re-used here from an older building. Opposite this colonnade and along the whole length of the west em wall runs another colonnaded verandah with a prayer chamber in the centre erected in white marble and covered with a corbelled pyramidal dome. The dome is almost certainly re-used and is lavishly carved internally with Hindu motifs, notably bands of lozenge or triangular patterns. The marble mehrab is embellished with verses from the Quran and a floral design. The floor is paved with marble slabs. The rest of the verandah on either side of the prayer chamber comprises red sandstone pillars and pilasters supporting a flat roof of Hindu design, with a brick work parapet...
He winds up his description with the words: The Hindu elements in the architecture of the monument are apparent in the dome of the mosque and the partly defaced Hindu motifs on some of the pillar brackets of the western colonnade. The presence of a Gauripatta or receptacle of a linga in the pavement of the western colonnade is a further significant point. Furthermore, the marble stones in the external facade of the mosque are serially numbered, indicating their removal from elsewhere.

After the reduction of Gualiar, the King marched his army towards Malwa, reduced the fort of Bhilsa, and took the city of Oojein, where he destroyed a magnificent temple dedicated to Mahakaly, formed upon the same plan with that of Somnat. This temple is said to have occupied three hundred years in building, and was surrounded by a wall one hundred cubits in height. The image of Vikramaditya, who had been formerly prince of this country, and so renowned, that the Hindoos have taken an era from his death, as also the image of Mahakaly, both of stone, with many other figures of brass, were found in the temple. These images the King caused to be conveyed to Dehly, and broken at the door of the great mosque.

You cannot take the world through inheritance and boasting, you can take it only by wielding the sword in battle.

After he returned to the capital in the year AH 632 (AD 1234) the Sultan led the hosts of Islam toward Malwah, and took the fortress and town of Bhilsan, and demolished the idol-temple which took three hundred years in building and which, in altitude, was about one hundred ells.

The ceiling rests on columns raised with two pillars each robbed from an earlier Hindu shrine; carved lintels from another were found embedded in the thick lime-concrete roof. Other pieces were used in the ceilings of the prayer-chamber and bastions and the pillars re-utilised in the verandahs, originally used as a madrasa, after chipping the decoration off them. The tomb was repaired later by Firuz Shah Tughluq.

Next, Sultan Iltutmish (r. 1210–36) spent his early years in suppressing the Turkish opponents. He was also in fear of invasion by Genghis Khan. In 1226, he attacked Ranthambhor. Minhaj Siraj records that ‘much plunder fell into the hands of his followers;’dccvii the plunder obviously included slaves. In the 1234–35 attack of Ujjain, he made captives of the ‘women and children of the recalcitrant,’ according to Shiraj and Ferishtah.

The Sultan then returned [from Jalor] to Delhi… and after his arrival 'not a vestige or name remained of idol temples which had raised their heads on high; and the light of faith shone out from the darkness of infidelity… and the moon of religion and the state became resplendent from the heaven of prosperity and glory.