After he returned to the capital in the year AH 632 (AD 1234) the Sultan led the hosts of Islam toward Malwah, and took the fortress and town of Bhilsan, and demolished the idol-temple which took three hundred years in building and which, in altitude, was about one hundred ells.

The ceiling rests on columns raised with two pillars each robbed from an earlier Hindu shrine; carved lintels from another were found embedded in the thick lime-concrete roof. Other pieces were used in the ceilings of the prayer-chamber and bastions and the pillars re-utilised in the verandahs, originally used as a madrasa, after chipping the decoration off them. The tomb was repaired later by Firuz Shah Tughluq.

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After he had reached the capital he sent, in A.H. 632 (1234 A.D.), the army of Islam towards Malwa and took the fort and city of Bhilsa. There was a temple there which was three hundred years in building. It was about one hundred and five gaz high. He demolished it. From thence he proceeded to Ujjain, where there was a temple of Maha-kal, which he destroyed.

…In the year AH 631, he invaded the country of Mãlwah and conquered the fort of Bhîlsã. He also took the city of Ujjain, and had the temple of Mahãkãl… completely demolished, destroying it from its foundations; and he carried away the effigy of Bikramãjît… and certain other statues which were fashioned in molten brass, and placed them in the ground in front of the Jãmi' Masjid, so that they might he trampled upon by the people.

Among his “Victories and Conquests” is counted the “bringing away of the idol of Mahakal, which they have planted before the gateway of the Jami’ Masjid at the capital city of Delhi in order that all true believers might tread upon it.”

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“In AH 631 he invaded Malwah, and after suppressing the rebels of that place, he destroyed that idol-temple which had existed there for the past three hundred years.... “Next he turned towards Ujjain and conquered it, and after demolishing the idol-temple of Mahakal, he uprooted the statue of Bikramajit together with all other statues and images which were placed on pedestals, and brought them to the capital where they were laid before the Jami‘ Masjid for being trodden under foot by the people.”110

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The Sultan then returned [from Jalor] to Delhi… and after his arrival 'not a vestige or name remained of idol temples which had raised their heads on high; and the light of faith shone out from the darkness of infidelity… and the moon of religion and the state became resplendent from the heaven of prosperity and glory.

Cunningham's observations made in 1871/72 should be taken even more seriously because his impartiality would be beyond doubt. There would be no bias as between the Hindu and Muslim viewpoints . In the ASI report of those years he has written that the tomb of Sultan Chari, with its domes of overlapping courses, appears to be pre-Muhammadan, but when to this feature we add the other Hindu features, both of construction and ornamentation, the stones set without cement in the walls, the appearance of wear or weathering of the stones, greater even than in the Kutb, though similar in material, and the fact that the inner cell was originally finished in granite, but afterwards cased with marble, it becomes extremely probable that this is, like the Kutb, a Hindu building appropriated by the Muhammandans, and the probability is rendered almost a certainty by the existence of the central cell, which is a construction adapted to some Hindu forms of worship, the Saivic, but which is an anomaly in Muhammadan architecture.

From thence he advanced to Ujjain-Nagari and destroyed the idol-temple of Mahakal Diw. The effigy of Bikramjit who was sovereign of Ujjain-Nagari, and from whose reign to the present time one thousand, three hundred, and sixteen years have elapsed, and from whose reign they date the Hindui era, together with other effigies besides his, which were formed of molten brass, together with the stone (idol) of Mahakal were carried away to Delhi, the capital.

…And in the year AH 631 (AD 1233) having made an incursion in the direction of the province of Malwah and taken Bhilsa and also captured the city of Ujjain, and having destroyed the idol-temple of Ujjain which had been built six hundred years previously, and was called Mahakal, he levelled it to its foundations, and threw down the image of Rai Vikrmajit from whom the Hindus reckon their era… and brought certain other images of cast molten brass and placed them on the ground in front of the door of the mosque of old Dihli and ordered the people to trample them under foot…

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[As early as in the time of Sultan Iltutmish (1210-1236), soon after the establishment of the Delhi Sultanate in 1206, some Ulama suggested to him to confront the Hindus with a choice between Islam and death. The Wazir Nizamul Mulk Junaidi replied:] “But at the moment in India… the Muslims are so few that they are like salt (in a large dish). If such orders are to be enforced… the Hindus might combine… and the Muslims would be too few in number to suppress(them). However, after a few years when in the capital and in the regions and small towns, the Muslims are well established and the troops are larger, it will be possible to give Hindus, the choice of ‘death’ or ‘Islam’.”

Tomb of Sultãn Ghãrî: Sayyid Ahmad Khãn notices this tomb and describes it as exquisite. He says that it was built in AH 626 corresponding to AD 1228 when the corpse of Sultãn Nãsiru’d-Dîn Mahmûd, the eldest son of Sultãn Shamsu’d-Dîn Iltutmish, who was Governor of Laknauti and who died while his father was still alive, was brought to Delhi and buried.391 But the editor, Khaleeq Anjum, comments in his introduction that “the dome of the mosque which is of marble has been re-used and has probably been obtained from some temple”, and that the domes on the four pavilions outside “are in Hindu style in their interior.”392 He provides greater details in his notes at the end of Sayyid Ahmad’s work. He writes: “…This is the first Muslim tomb in North India, if we overlook some others. And it is the third historical Muslim monument in India after Quwwat al-Islãm Masjid and ADhãî Din Kã JhoñpRã… Stones from Hindu temples have been used in this tomb also, as in the Quwwat al-Islãm Masjid.” “…In the middle of the corridor on the west there is a marble dome. A look at the dome leads to the conclusion that it has been brought from some temple. The pillars that have been raised in the western corridor are of marble and have been made in Greek style. It is clear that they belong to some other building…”

After the reduction of Gualiar, the King marched his army towards Malwa, reduced the fort of Bhilsa, and took the city of Oojein, where he destroyed a magnificent temple dedicated to Mahakaly, formed upon the same plan with that of Somnat. This temple is said to have occupied three hundred years in building, and was surrounded by a wall one hundred cubits in height. The image of Vikramaditya, who had been formerly prince of this country, and so renowned, that the Hindoos have taken an era from his death, as also the image of Mahakaly, both of stone, with many other figures of brass, were found in the temple. These images the King caused to be conveyed to Dehly, and broken at the door of the great mosque.

“…To Iletmish we owe some of the finest Muslim works in India. The Arhai din ka-Jhopra began by Qutab al-Din in AD 1198-99, was also completed by him. Tod had said of it that it was ‘one of the most perfect as well as the most ancient monuments of Hindu architecture’, on the evidence of certain four-armed figures to be seen on the pillars…