The Sultan then returned [from Jalor] to Delhi… and after his arrival 'not a vestige or name remained of idol temples which had raised their heads on… - Iltutmish

Yet another officer of the ASI, Sharma 12 published his findings in 1964. He had the advantage of research already done by Cunningham, as well as Naqvi who has been quoted earlier. A particularl y refreshing point that S harma makes is with regard to a couple of sculptured lintels and, an upright stone rail ing that were found embed ded in the roof of the edifice. The frieze or a band of decoration carved on one of the lentils has, what appears to be a bull and a horse facing each other. This was further proof of the Hinduness of Sultan Ghari's tomb. Sharma went on to add that in the eighth century, or a little earlier, a large temple existed at the site of the Sultan Chari's tomb, 8 km west of the Qutb-Minar. The temple was erected probably by some feudatory of the Pratiharas.

After he returned to the capital in the year AH 632 (AD 1234) the Sultan led the hosts of Islam toward Malwah, and took the fortress and town of Bhilsan, and demolished the idol-temple which took three hundred years in building and which, in altitude, was about one hundred ells.

Naqvi has taken pains to describe at length the edifice which began as a temple, got converted into a tomb and to which was added a masjid with a marble mehrab and then a gate with pretty Arabic calligraphy of verses from the Holy Quran. As he puts it, the gateway projects 13 ~feet from the enclosure wall and is approached and entered by a flight of steps flanked by two square rooms which are roofed with stone slabs in the Hindu fashion. The external archway of the gate is formed by overlapping courses of marble and around it is the important Arabic inscription in Kufic characters.
He goes on, after crossing the threshold, one stands under the eastern colonnaded verandah, the flat roof of which rests on red sandstone pillars. The latter are not uniformly carved, indicating that they have been re-used here from an older building. Opposite this colonnade and along the whole length of the west em wall runs another colonnaded verandah with a prayer chamber in the centre erected in white marble and covered with a corbelled pyramidal dome. The dome is almost certainly re-used and is lavishly carved internally with Hindu motifs, notably bands of lozenge or triangular patterns. The marble mehrab is embellished with verses from the Quran and a floral design. The floor is paved with marble slabs. The rest of the verandah on either side of the prayer chamber comprises red sandstone pillars and pilasters supporting a flat roof of Hindu design, with a brick work parapet...
He winds up his description with the words: The Hindu elements in the architecture of the monument are apparent in the dome of the mosque and the partly defaced Hindu motifs on some of the pillar brackets of the western colonnade. The presence of a Gauripatta or receptacle of a linga in the pavement of the western colonnade is a further significant point. Furthermore, the marble stones in the external facade of the mosque are serially numbered, indicating their removal from elsewhere.