A.S. Quereshi, advocate, for the (Muslim) Trustees, issued a notice dated February 6, 1980 to the Superintendent, Archaeological Department, asking t… - Praful Goradia

To paraphrase William Shakespeare, not all the scents of Arabia would suffice to wash away the sins of Ghazni and Alamgir at Mathura. And since it is not possible to claim back what was destroyed long ago, the return of the Idgaah and the shuddhi of Krishnajanmabhoomi or the birth place of Krishna, is the only alternative.

A few masjids have undergone shuddhi, whether in full or part, while others are still unattended and deserve a change. For example, the Gobind Dev mandir at Vrindavan was returned to the Hindus by the British some 130 years ago. While Sultan Ghari at Delhi became a place of worship for all people; when, no one really knows. The saga at Ayodhya is incomplete. While the Nand and Rohini temple palace at Mahaban is believed to have been redeemed in the wake of independence. The edifices at Kannauj and Etawah have not undergone any stage of shuddhi. Since the cities are situated in Uttar Pradesh, the Waterloo of Aryavrat is a part of the series in the area. Quwwatul Islam at Delhi and the Adhai Din Ka Jhopra at Ajmer tell the tale of vandalism so eloquently that the viewer is shocked as he enters these masjids. The Krishnajanmabhoomi as well as Kashi Vishwanath are making do with pathetic alternatives for no shuddhi whatsoever has taken place. So also Ataladevi at Jaunpur and Bhojshala at Dhar. At Vidisha, all worship has been suspended while a great deal of the Rudra Mahalaya complex remains buried. The Adina masjid. at Maida has fallen into disuse as a place of worship, whereas Jungle Pir Baba as well as the shrine at Pavagadh are in full use as dargahs. Daulatabad is a case of redemption which took place on the morrow of the police action in 1948 against the Nizam of Hyderabad.

The Adina or Friday mosque is situated on National Highway No. 34 between Raiganj in West Dinajpur district of West Bengal and Maida. At first glimpse, the dual colour of the edifice walls strikes the visitor. The first ten feet immediately above the ground are grey in colour because of stone tiles. The upper 12 feet comprise of red brick work. Evidently, the current mosque was superimposed on an earlier building.