A.S. Quereshi, advocate, for the (Muslim) Trustees, issued a notice dated February 6, 1980 to the Superintendent, Archaeological Department, asking t… - Praful Goradia

Even today, the ruins demonstrate the finery of the sculpture. Human faces have been mutilated. The tablet displayed at the spot by the ASI says the following: This is the grandest and the most impressive conception of a temple dedicated to Siva associated with Siddharaj who ruled in the 12th century AD though tradition accords its construction to Mularaj during the lOth century AD. The Jami Masjid (mentioned in the blurb) is a modest affair. Its gate is so small that not more than two persons can enter at the same time. On its top are two minarets less than three feet tall. As one crossed the gate, there are four small temple sancti, one on the left and three on the right. It is clear that the sancti had been walled up and converted into a mebraab for the prayer space; Beyond this is the square tank from ancient times which was also used by those who came for ibadat. Beyond, stand a few handsome pillars and carvings that have survived from ancient times.

The desecration at Mehrauli was probably the first perpetrated by Muhammad Ghauri. It is situated next to the famous Qutb Minar. The masjid was named after its builder, Qutbuddin Aibak, as Quwwatul Islam, which, translated into English, means the Might of Islam. The name itself is arrogant; for a place Of worship it is even more so.

The Department of Archaeology, Gwalior, 1952, has in a special book dealt on the Cultural Heritage of Madhya Bharat, which, in 1956, amalgamated with the Central Provinces and came to be known as Madhya Pradesh. This book Dhar and Mandu reiterates what Major C.E. Luard,34 the official gazeteer of Dhar, had said in 1912. The carved pillars used all over the building and the delicately carved ceilings of the prayer hall seem to have belonged to the original Bhojshala. On the pavement of the prayer hall are seen numerous slabs of black slate stone the writings on which were also scraped off. From a few slabs recovered from another part of the building and now exhibited there, which contain the texts of the poetic works of Parijatamanjari and Kurmastotra, it appears that the old college was adorned with numerous Sanskrit and Maharashtri Prakrit texts, beautifully engraved on such slabs.