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" "Such then was the vandalism with which the sultanate in Delhi began. As with the Quwwatul Islam masjid next to the Qutb Minar, which was also built by Sultan Aibak, so with Adhai Din Ka Jhopra at Ajmer. Both are indelible specimens of humiliation perpetrated by the victor upon the vanquished.
Praful Dwarkadas Goradia is a politician from Akhil Bharatiya Jan Sangh party. He was a Member of the Parliament of India representing Gujarat in the Rajya Sabha, the upper house of the Parliament from 1998 to 2000 as member of Bharatiya Janata Party. Currently, he is general secretary of the Akhil Bharatiya Jan Sangh.
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One night during the monsoon of 1991, the rain was so heavy that it washed away the wall that was concealing the frontage of the Bijamandal mosque established by Aurangzeb in 1682. This masjid is a centre of attraction in the district town of Vidisha situated some 40 kms from Bhopal. The broken wall exposed so many Hindu idols that the Archaeological Survey of India (ASI) was left with no choice but to excavate. For three centuries, the idols were buried under the platform, on the northern side, which was used as the hall of prayer conducted specially on days of Eid. Fortunately, the district col lector in 1991 happened to offer protection to the surveyors of ASI, who were otherwise reluctant to expose themselves to the wrath of bigots.
The excuse given was that the Bhojshala was, in any case, a protected monument and barricading it would be the best way to secure its protection. Incidentally, there was no threat from anyone either damaging or demolishing the structure. The discriminatory order of entry 52 times a year to one community, and only once a year to another and none to the rest is based on an extraordinary precedent. The author understands that-in 1935 on the insistence by some local residents of Dhar, which was then a princely state, that the Bhojshala was a Hindu institution -the temple of Goddess Saraswati, on the one hand, and a school, on the other. A photograph of the deity's image which adorned the temple is reproduced in this book. The idol is still on display in the British Museum in London. A part of the Sanskrit inscription which is engraved on a wall of the Bhojshala is also reproduced. It is called Dhar Prasasti of Arjunavarma: Parijatamanjari-natika by Madana.
However, to avoid giving a religious or a communal colour to the shuddhi or reconversion, the idol installed in the sanctum sanctorum was that of Bharat Mata. It is therefore now known as the Bharat Mata temple, although for 700 years it had been called Jami masjid. The mandir was built on a plan not dissimilar to Palitana in Gujarat and Dilwara at Mount Abu, Rajasthan. There is a large courtyard. There were the usual traditional 52 pillars as in Jain places of worship. At the western end was a hall, typical of an ancient temple. A flat roof was held aloft by 152 stone pillars. The author and his colleagues during their visit in 200-1 were told on authority that the pillars were constructed according to the Himar Panti style of architecture, one of whose special characteristics was the interlocking of stones without the use of any cementing material.