He [ Marcel Duchamp ] entered this object [the 'Urinal' ready-made] into the museum and noticed that its transportation from one place to another mad… - Joseph Beuys

" "

He [ Marcel Duchamp ] entered this object [the 'Urinal' ready-made] into the museum and noticed that its transportation from one place to another made it into art. But he failed to draw the clear and simple conclusion that every man is an artist.

English
Collect this quote

About Joseph Beuys

Joseph Beuys (May 12, 1921 – January 23, 1986) was a German conceptual artist, who produced work in a number of forms including sculpture, performance art, video art and installations. He was inspired by the ideas of Rudolf Steiner and the French artist Yves Klein. Beuys was an important teacher of famous neo-expressionist German artists as Jörg Immendorff, Walter Dahn, Anselm Kiefer and Blinky Palermo. Beuys held a lot of lectures in the U.S. Beuys enlarged the area of art to the whole life of mankind; everybody is an artist. He introduced the notion of social sculpture.

Also Known As

Alternative Names: J. Beuys Jozef Bojs Iosef Boĭs Josef Beuys Joseph Heinrich Beuys Joseph Beyus
Limited Time Offer

Premium members can get their quote collection automatically imported into their Quotewise collections.

Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.

Additional quotes by Joseph Beuys

This most modern art discipline - Social Sculpture / Social Architecture - will only reach fruition when every living person becomes a creator, a sculptor, or architect of the social organism.

I go to the typical state school and try to infiltrate it. Yes!.. .One can do something in the institutions in trying to infiltrate them, and outside one can do something to set a model in place.. .One must work with divers methods anyway. One must always carry on with what is possible.

Enhance Your Quote Experience

Enjoy ad-free browsing, unlimited collections, and advanced search features with Premium.

'Fat' traverses the path from a chaotically dispersed, undirected energy form to a form. Then it appears in the famous fat corner.. ..now [a wedge of fat in the angle between seat and back of the wooden old Chair, Beuys used in the fat-sculpture, like 'Stuhl mit Fett' (Fet Chair), 1964] intersects the human body in the region that houses certain emotional forces [Beuys laughed, and so did everyone else of the public].

Loading...