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" "All I want is to know things. The black gulph of the infinite is before me . . . I have no use for the machine age or any of its conceptions, methods, & ideals. I have use only for abstract cognition without social or utilitarian connotations; the thing which Thales & Anaxagoras & Heraclitus went after, & which was clearly definable by the word philosophy until those pragmatical puffballs Socrates & Plato threw a monkey-wrench into the works & crippled human thought for the next two millennia. Now it is a matter of perfect indifference to me whether or not baser interests cluster round the search for truth & lick the molasses-drops that ooze out of the fact-barrel. This apelike parasitism of the herd means nothing either for or against the abstract is-or-isn't quest which Thales began, Democritus continued, & Einstein prolongs. If machine-culture chooses to worship "science", that's its own business. It doesn't imply that the abstract process of cognition-craving turns about & reciprocally worships machine-culture! . . . Cognition, as such, is completely without social or aesthetic implications except so far as it places certain obvious contradictions of natural laws, & certain pointless exaltations of empty trivialities, in a light so unfavourable as to encourage obsolescence. It is nobody's tool or handmaiden—it is itself alone. Practically speaking, the mind likely to worship pure cognition most sincerely is that most of all opposed to industrialism & standardisation. Cognition is that branch of human desire & celebration most antipodally removed from anything envisaged or wished by Thomas A. Edison, Henry Ford, & the late Charles P. Steinmetz. It is the enemy of urban civilisation as it is the enemy of all handicaps which cripple the free individualistic excursions of the disinterested intellect into unknown cosmic space. It is the sworn ally of beauty because it is itself one of the supreme forms of beauty—the catharsis of a primal, titanic urge which links man to the uttermost gulfs of dramatic immensity. It is one with the greatest music & the loftiest poetry—being perhaps a glimpse of the liberating & expanding reality which both are blindly seeking.
Howard Phillips Lovecraft (20 August 1890 – 15 March 1937) was an American author of fantasy, horror, and science fiction, known for combining these three genres within single narratives and best remembered for the creation of the Cthulhu Mythos. He is considered, along with Edgar Allan Poe, to be one of the greatest Horror writers.
Biography information from Wikiquote
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About my own attitude toward ethics—I thought I made it plain that I object only to (a) grotesquely disproportionate indignations and enthusiasms, (b) illogical extremes involving a reductio ad absurdum, and (c) the nonsensical notion that "right" and "wrong" involve any principles more mystical and universal than those of immediate expedience (with the individual's own comfort as a criterion) on the other hand. I believe I was careful to specify that I do not advocate vice and crime, but that on the other hand I have a marked distaste for immoral and unlawful acts which contravene the harmonious traditions and standards of beautiful living developed by a culture during its long history. This, however, is not ethics but aesthetics—a distinction which you are almost alone in considering negligible. ... So far as I am concerned—I am an aesthete devoted to harmony, and to the extraction of the maximum possible pleasure from life. I find by experience that my chief pleasure is in symbolic identification with the landscape and tradition-stream to which I belong—hence I follow the ancient, simple New England ways of living, and observe the principles of honour expected of a descendant of English gentlemen. It is pride and beauty-sense, plus the automatic instincts of generations trained in certain conduct-patterns, which determine my conduct from day to day. But this is not ethics, because the same compulsions and preferences apply, with me, to things wholly outside the ethical zone. For example, I never cheat or steal. Also, I never wear a top-hat with a sack coat or munch bananas in public on the streets, because a gentleman does not do those things either. I would as soon do the one as the other sort of thing—it is all a matter of harmony and good taste—whereas the ethical or "righteous" man would be horrified by dishonesty yet tolerant of course personal ways. If I were farming in your district I certainly would assist my neighbours—both as a means of promoting my standing in the community, and because it is good taste to be generous and accommodating. Likewise with the matter of treating the pupils in a school class. But this would not be through any sense of inner compulsion based on principles dissociated from my personal welfare and from the principle of beauty. It would be for the same reason that I would not dress eccentrically or use vulgar language. Pure aesthetics, aside from the personal-benefit element; and concerned with emotions of pleasure versus disgust rather than of approval versus indignation.
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Only poetry or madness could do justice to the noises heard by Legrasse’s men as they ploughed on through the black morass toward the red glare and the muffled tom-toms. There are vocal qualities peculiar to men, and vocal qualities peculiar to beasts; and it is terrible to hear the one when the source should yield the other.