What happened? It took Gibbon six volumes to describe the decline and fall of the Roman Empire, so I shan’t embark on that. But thinking about this … - Kenneth Clark

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What happened?

It took Gibbon six volumes to describe the decline and fall of the Roman Empire, so I shan’t embark on that. But thinking about this almost incredible episode does tell one something about the nature of civilisation.

It shows that however complex and solid it seems, it is actually quite fragile. It can be destroyed.

What are its enemies?
Well, first of all fear — fear of war, fear of invasion, fear of plague and famine, that make it simply not worthwhile constructing things, or planting trees or even planning next year’s crops. And fear of the supernatural, which means that you daren’t question anything or change anything.

The late antique world was full of meaningless rituals, mystery religions, that destroyed self-confidence. And then exhaustion, the feeling of hopelessness which can overtake people even with a high degree of material prosperity. There is a poem by the modern Greek poet, Cavafy, in which he imagines the people of an antique town like Alexandria waiting every day for the barbarians to come and sack the city. Finally the barbarians move off somewhere else and the city is saved; but the people are disappointed — it would have been better than nothing.

Of course, civilisation requires a modicum of material prosperity — What civilization needs: confidence in the society in which one lives, belief in its philosophy, belief in its laws, and confidence in one’s own mental powers. The way in which the stones of the Pont du Gard are laid is not only a triumph of technical skill, but shows a vigorous belief in law and discipline.

Vigour, energy, vitality: all the civilisations — or civilising epochs — have had a weight of energy behind them.

People sometimes think that civilisation consists in fine sensibilities and good conversations and all that. These can be among the agreeable results of civilisation, but they are not what make a civilisation, and a society can have these amenities and yet be dead and rigid.

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About Kenneth Clark

Kenneth McKenzie Clark, Baron Clark of Saltwood, OM, CH, KCB, FBA (13 July 1903 – 21 May 1983) was an English art historian and director of London's National Gallery (1934–1945) who is remembered for his television series Civilisation first broadcast in 1969.

Biography information from Wikiquote

Also Known As

Alternative Names: Baron Clark Kenneth Clark Lord Clark of Saltwood Kenneth MacKenzie, Lord Clark of Saltwood Clark Kenneth, Lord Clark of Saltwood Clark
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Additional quotes by Kenneth Clark

However much the various phases of the French Revolution may have modelled themselves on Roman history — the early phase on Republican virtue, the later on Imperial grandeur — the fact remains that classicism depended on a fixed and rational philosophy; whereas the spirit of the Revolution was one of change and of emotion.

It means that at certain epochs man has felt conscious of something about himself – body and spirit – which was outside the day-to-day struggle for existence and the night-to-night struggle with fear; and he has felt the need to develop these qualities of thought and feeling so that they might approach as nearly as possible to an ideal of perfection – reason, justice, physical beauty, all of them in equilibrium. He has managed to satisfy this need in various ways – through myths, through dance and song, through systems of philosophy and through the order that he has imposed on the visible world. The children of his imagination are also the expressions of an ideal.

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I believe order is better than chaos, creation better than destruction. I prefer gentleness to violence, forgiveness to vendetta. On the whole I think that knowledge is preferable to ignorance, and I am sure that human sympathy is more valuable than ideology. I believe that in spite of the recent triumphs of science, men haven't changed much in the last two thousand years; and in consequence we must try to learn from history.

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