Try QuoteGPT
Chat naturally about what you need. Each answer links back to real quotes with citations.
It was this indifference to the quality of his material that earned Liszt the contempt of his most distinguished contemporaries and of many of the mo… - Charles Rosen
" "It was this indifference to the quality of his material that earned Liszt the contempt of his most distinguished contemporaries and of many of the most respectable critics and historians of posterity. It was, nevertheless, his greatest strength. It made it possible for him to manipulate the material ruthlessly, to concentrate on effects of realization with unprecedented intensity, and to integrate styles and techniques of performance into composition in a new way. His invention of novel keyboard effects and his mastery of musical gesture have always been undervalued, especially by pianists of the German school who prefer the kind of music that can be executed while soulfully regarding the ceiling. On the whole, the most genuine understanding of his music has been displayed by musicians of eastern Europe, and he may almost be considered as the founder of Russian pianism.
English
Collect this quote
About Charles Rosen
Charles Welles Rosen (May 5, 1927 – December 9, 2012) was an American pianist and writer on music.
Also Known As
Alternative Names:
Rosen, Charles
•
Charles Welles Rosen
Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.
Additional quotes by Charles Rosen
The relation of tonic to dominant is the foundation of Western triadic tonality. The attempt of the early nineteenth century to substitute third or mediant relationships for the classical dominant amounted to a frontal attack on the principles of tonality, and it eventually contributed to the ruin of triadic tonality. This ruin was accomplished from within the system, however, as mediant relationships were essential to tonality as conceived in the eighteenth century.
Normally, misprints are either easily corrected or else so trivial that it makes no difference whether we play the correct or the faulty version. ... Nevertheless, on rare occasions, a misprint or slip of the pen may challenge our view of the musical language. These extreme cases may help us understand a little more about the way music acquires meaning, or what it means to say that the music makes sense.
Loading...