When during my stay in Egypt I became familiar with the works of Nietzsche, whose polemic against christianity was particularly to my liking, the antipathy which I had always felt against a religion which relieves the faithful of responsibility for their actions (by means of confession) was confirmed and strengthened.

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Mozart's melodies, Beethoven's symphonies, Schubert's songs, acts two and three of Tristan are symbols in which are revealed the most profound spiritual truths. They are not "invented", but are "given in their dreams"to those privileged to receive them. Whence they come no one knows, not even their creator, the unconscious mouthpiece of the demiurge.

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