Thoreau got up each morning and walked to the woods as though he had never been where he was going to, so that whatever was there came to him like liquid into an empty glass. Many people taking such a walk would have their heads so full of other ideas that it would be a long time before they were capable of hearing or seeing. Most people are blinded by themselves.

Computer mistake in grade-giving resulted in academic failure of several brilliant students. After some years the mistake was discovered. Letter was sent to each student inviting him to resume his studies. Each replied he was getting along very well without education.

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Critics frequently cry 'Dada' after attending one of my concerts or hearing one of my lectures. Others bemoan my interest in w:Zen. One of the liveliest lectures I ever heard was given by Nancy Wilson Ross at the Cornish School in Seattle. It was called Zen Buddhism and Dada. It is possible to make a connection between the two, but neither Dada nor Zen is a fixed tangible. They change; and in quite different ways in different places and times, they invigorate action. What was Dada in the 1920's is now, with the exception of the work of Marcel Duchamp, just art. What I do, I do not wish blamed on Zen, though without my engagement with Zen.. .I doubt whether I would have done what I have done. . .I often point out that Dada nowadays has in it a space, an emptiness, that it formerly lacked. What nowadays, America mid-twentieth century, is Zen?

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All great art is a form of complaint

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A sound does not view itself as thought, as ought, as needing another sound for its elucidation, as etc.; it has not time for any consideration--it is occupied with the performance of its characteristics: before it has died away it must have made perfectly exact its frequency, its loudness, its length, its overtone structure, the precise morphology of these and of itself.

I believe that the use of noise to make music will continue and increase until we reach a music produced through the use of electrical instruments which will make available for musical purposes any and all sounds that can be heard. Photoelectric, film and mechanical mediums for the synthetic production of music will be explored.

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Nothing more then nothing can be said.
We make our lives by what we love.
Being American, having been trained to be sentimental, I fought for noises … when the war came along, I decided to use only quiet sounds. There seemed to me to be no truth, no good, in anything big.
Somebody asked Debussy how he wrote music. He said: “I take all the tones there are, leave out he one’s I don’t want, and use all the others”. Satie said: “When I was young, people told me; you’ll see when you’re fifty years old. Now I’m fifty. I’ve seen nothing”.
Slowly as the talk goes on, we are getting nowhere – and that is a pleasure.
It is not irritating to be where one is, it is only irritating to think one would like to be somewhere else.
If anybody is sleepy, let him go to sleep.
All I know about method is that when I’m not working I sometimes think I know something, but when I’m working, it is quit clear I know nothing.

Our business in living is to become fluent with the life we are living, and art can help this.