I felt I had nothing more to learn. It was the same thing wrapped up in different packaging again and again. I am not a brilliant dancer at all. But … - Protima Bedi

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I felt I had nothing more to learn. It was the same thing wrapped up in different packaging again and again. I am not a brilliant dancer at all. But my packaging is great. You know, I have been a hippie all my life. And the dreams of the sixties that I had of living in a commune, of sharing, of never having more than I can use, of living life joyfully in nature -- that was the spirit that was inside me. And in the isolation of being a dancer I thought where is the giving, where is the sharing, with me sitting so far in a cold place? I knew I had to get back and I had to share what life had given me through dance. I was willing to give up my dance and work and beg to realise this dream. Because it would still be my dream, it would still be dance but how much joy it would give so many bodies.

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About Protima Bedi

Protima Gauri Bedi (October 12, 1948 – August 18, 1998) was an Indian model turned Odissi exponent. To her dance was a way of life. In 1990, she established "Nrityagram", a dance village near Bangalore.

Also Known As

Alternative Names: Protima Gupta Protima Gauri Bedi
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Additional quotes by Protima Bedi

Firstly I had never touched anyone's feet. So I refused to do that for months. I had never been inside a temple. I refused to go for puja every evening. I said I have only come to learn dance. I don't have to do all that. But the dance brought the devotion and the spiritual understanding. I saw my guru's devotion because everything he did was by example. If I have built Nrityagram today it is because of what I took from him.

Everybody wants to know about it. Even now. But look at what else I have accomplished since then which must have taken courage. Far more than what it took to streak. But because it's more immediate you think you could even do this. But you can't build a dance institute out of barren land.

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When I saw Odissi it could have been Kuchipudi or Thai for all I cared. No one knew Odissi then. I S Johar once introduced my performance saying 'Now for Protima Bedi's Udipi performance.' But when I saw it I knew that is what I wanted to do -- whatever it was. There was something so sensuously spiritual about it. I think I must have wanted that so much in my life.

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