The moment you recognize what is beautiful in this world, you stop being a slave. - Aravind Adiga

Here’s a strange fact: murder a man, and you feel responsible for his life—’’possessive’’, even. You know more about him than his father and mother; they knew his fetus, but you know his corpse. Only you can complete the story of his life, only you know why his body has to be pushed into the fire before its time, and why his toes curl up and fight for another hour on earth.

The great man folded his palms and bowed all around him. He had one of those either/or faces that all great Indian politicians have. This face says that it is now at peace—and you can be at peace too if you follow the owner of that face. But the same face can also say, with a little twitch of its features, that it has known the opposite of peace and it can make this other face yours too, if it wishes.

Go to Old Delhi, behind the Jama Masjid, and look at the way they keep chickens there in the market. Hundreds of pale hens and brightly colored roosters, stuffed tightly into wire mesh cages, packed as tightly as worms in a belly, pecking each other and shitting on each other, jostling just for breathing space; the whole cage giving off a horrible stench—the stench of terrified, feathered flesh. On the wooden desk above this coop sits a grinning young butcher, showing off the flesh and organs of recently chopped-up chicken, still oleaginous with a coating of dark blood. The roosters in the coop smell the blood from above. They see the organs of their brothers lying around them. They know they’re next. Yet they do not rebel. They do not try to get out of the coop.<p>The very same thing is done with human beings in this country.